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ARCHIVE

  • ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd
    8th Jul 2022

    ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd

    Rebecca Rosén
  • Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves
    30th Jun 2022

    Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves

    Hayley Paskevich
  • REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark
    16th May 2022

    REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark

    Nuha Hassan
  • REVIEW: ‘Russian Doll’ (Season 2) is a Fast-Paced Trip Through Time and Trauma
    26th Apr 2022

    REVIEW: ‘Russian Doll’ (Season 2) is a Fast-Paced Trip Through Time and Trauma

    Nuha Hassan
  • ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
    27th Jan 2022

    ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

    Tutku Vatansever
  • REVIEW: ‘Succession’ Season Three Concludes in Violent Heartbreak
    16th Jan 2022

    REVIEW: ‘Succession’ Season Three Concludes in Violent Heartbreak

    Shar Tan
  • ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 
    3rd Jan 2022

    ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 

    alexapellegrini
  • REVIEW: ‘Evil’ Season Two Delights in Body Horror
    7th Dec 2021

    REVIEW: ‘Evil’ Season Two Delights in Body Horror

    Shar Tan
  • ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror
    26th Oct 2021

    ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror

    Eoin O’Donnell
  • What the TV Women of the 2000s Taught Us
    12th Oct 2021

    What the TV Women of the 2000s Taught Us

    paulinesauz
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