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ARCHIVE

  • ‘Would It Kill You to Laugh?’ (2022) Leaves Viewers Both Satisfied and Hungry for More
    6th Aug 2022

    ‘Would It Kill You to Laugh?’ (2022) Leaves Viewers Both Satisfied and Hungry for More

    Rebecca Rosén
  • ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd
    8th Jul 2022

    ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd

    Rebecca Rosén
  • Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves
    30th Jun 2022

    Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves

    Hayley Paskevich
  • REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark
    16th May 2022

    REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark

    Nuha Hassan
  • REVIEW: ‘Russian Doll’ (Season 2) is a Fast-Paced Trip Through Time and Trauma
    26th Apr 2022

    REVIEW: ‘Russian Doll’ (Season 2) is a Fast-Paced Trip Through Time and Trauma

    Nuha Hassan
  • ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
    27th Jan 2022

    ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

    Tutku Vatansever
  • REVIEW: ‘Succession’ Season Three Concludes in Violent Heartbreak
    16th Jan 2022

    REVIEW: ‘Succession’ Season Three Concludes in Violent Heartbreak

    Shar Tan
  • ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 
    3rd Jan 2022

    ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 

    alexapellegrini
  • REVIEW: ‘Evil’ Season Two Delights in Body Horror
    7th Dec 2021

    REVIEW: ‘Evil’ Season Two Delights in Body Horror

    Shar Tan
  • ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror
    26th Oct 2021

    ‘Midnight Mass’ and the Humanity within Mike Flanagan’s Horror

    Eoin O’Donnell
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