[The Revolution Will Be Televised] ‘True History of the Kelly Gang’ (2019) and the Mythological Bedrock of Rebellion

True History illuminates the ways shared fiction gives form and mass to rebellion, and how cult mythology acts as the cornerstone to revolt.

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REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm

Featuring a demonic contortionist that will make you scream, Dyck’s swerve into the horror genre is well worth an evening’s sacrifice.

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REVIEW: Jim Cummings is Back With a Bite in ‘The Wolf of Snow Hollow’ (2020)

The tightly-wound, violent energy and the spiralling personal drama coexist in ways I’ve not experienced outside of Cummings’ oeuvre.

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LFF REVIEW: ‘Rose: A Love Story’ (2020) is a Vampire Film For Our Times

An efficiently crafted piece of work shrouded in dread and frozen to last.

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LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama

Industry excels at putting the audience in the moment, but lacks urgency and depth.

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LFF REVIEW: ‘Another Round’ (2020) Fails to Say Anything New or Meaningful

Unfortunately Another Round goes through familiar themes without adding anything new to the table.

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LFF REVIEW: ‘Honeymood’ (2020) Takes Viewers on a Journey to Nowhere

What could have been a fun-filled adventure ends up being a meandering journey through meaningless plot points.

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REVIEW: ‘I’m Thinking of Ending Things’ (2020) is a Paradox of a Film

I’m Thinking of Ending Things is everything and nothing, meaningless but meaningful.

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REVIEW: ‘The Assistant’ (2020) is an Unflinching Look at Harassment in the Workplace

Green has crafted a very real and very horrifying look into what it’s like to serve powerful executives within a toxic workplace.

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REVIEW: ‘Fanny Lye Deliver’d’ (2019) is an Offbeat Feminist Folk Horror

A comic folk horror that erupts into a feminist story of woman’s rebirth and fiery retribution.

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