“Not only are each of these projects situated within specific subgenres of horror, they also feature very queer, very human protagonists. What makes this fact even more notable is the fact that none of them were marketed to audiences on the basis of queer content, instead placing the focus on their genre.”
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“There are small yet significant moments of intimacy and trust between the two characters that can almost go unnoticed. It isn’t the kind of show where characters declare their love or express feelings explicitly, but rather the actions and sacrifices show how much they mean to each other.”
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“Even though the limited series has an interesting cast, ‘Echoes’ leaves the audience confused and is hard to keep up with.”
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“‘Shining Girls’ is an eight-episode series that promises to build up an intense story of a serial killer, but the non-linear structure becomes uneven and clunky.”
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“‘Money Heist’ exaggerates almost all aspects of reality, in turn challenging the economic and political status quo.”
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The flamboyant cast of characters goes through heartbreak, grief, unbearable family dinners, vain attempts at human connection, fear of failure, and for the most part, universal experiences. The series feels very down to earth, and its relatability is one of its greatest assets. It carries out a message of hope.
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Succession and Schitt’s Creek both explore what it means to be trapped in unusual circumstances with your family.
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Industry excels at putting the audience in the moment, but lacks urgency and depth.
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If you measure the success of a satire in the direct annoyance of its target, then SNL may be top of the pile, (but) satire is not for the leaders; it is for the people.
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James Palmer and George Forster are here to give you 10 recommendations available online right now to help get you through these hard times.
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