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ARCHIVE

  • From the Perspective of Perpetrators: The Complexity of Complicity in Modern Media
    24th Mar 2024

    From the Perspective of Perpetrators: The Complexity of Complicity in Modern Media

    ellislamai
  • From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror
    31st Oct 2022

    From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror

    Hayley Paskevich
  • Exploring True Intimacy and Marriage in FX’s ‘The Americans’
    10th Sep 2022

    Exploring True Intimacy and Marriage in FX’s ‘The Americans’

    Alexa Brown
  • REVIEW: ‘Echoes’ (2022) is a Frustrating Mystery Thriller that Gets Downright Silly
    1st Sep 2022

    REVIEW: ‘Echoes’ (2022) is a Frustrating Mystery Thriller that Gets Downright Silly

    Nuha Hassan
  • REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark
    16th May 2022

    REVIEW: ‘Shining Girls’ Is An Ambitious Crime Drama That Misses The Mark

    Nuha Hassan
  • ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
    27th Jan 2022

    ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

    Tutku Vatansever
  • “People are All We’ve Got”: Finding Hope in Humanity and Other People
    4th Sep 2021

    “People are All We’ve Got”: Finding Hope in Humanity and Other People

    carolinehvd
  • Schitt’s Creek, Succession and Being Stuck at Home with my Family
    10th Dec 2020

    Schitt’s Creek, Succession and Being Stuck at Home with my Family

    Anna McKibbin
  • LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama
    22nd Oct 2020

    LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama

    Gavin Spoors
  • SNL at (and on) 45: The Heat Death of Satire
    11th Oct 2020

    SNL at (and on) 45: The Heat Death of Satire

    georgeforster1998
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