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ARCHIVE

  • TIFF 2023 REVIEW: ‘Woman of the Hour’ (2023) Tells the Wrong Story
    13th Sep 2023

    TIFF 2023 REVIEW: ‘Woman of the Hour’ (2023) Tells the Wrong Story

    Jennifer Maxwell
  • In ‘The Hitcher’ (1986), an Act of Kindness Results in a Claustrophobic Highway Nightmare
    6th Dec 2022

    In ‘The Hitcher’ (1986), an Act of Kindness Results in a Claustrophobic Highway Nightmare

    Rebecca Rosén
  • In ‘Coming Home in the Dark’ (2021), Revenge Is Nothing More Than a Continuation of Violence
    2nd Nov 2022

    In ‘Coming Home in the Dark’ (2021), Revenge Is Nothing More Than a Continuation of Violence

    Rebecca Rosén
  • REVIEW: ‘Echoes’ (2022) is a Frustrating Mystery Thriller that Gets Downright Silly
    1st Sep 2022

    REVIEW: ‘Echoes’ (2022) is a Frustrating Mystery Thriller that Gets Downright Silly

    Nuha Hassan
  • REVIEW: ‘See For Me’ (2021) is a Surprising and Tense Thriller
    11th Feb 2022

    REVIEW: ‘See For Me’ (2021) is a Surprising and Tense Thriller

    Hayley Paskevich
  • ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
    27th Jan 2022

    ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

    Tutku Vatansever
  • Bringing Back the Erotic Thriller
    10th Jan 2022

    Bringing Back the Erotic Thriller

    McKinzie Smith
  • REVIEW : The Unsuspected Hero of ‘The Courier’ (2020)
    11th Nov 2021

    REVIEW : The Unsuspected Hero of ‘The Courier’ (2020)

    carolinehvd
  • INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’
    14th Sep 2021

    INTERVIEW: Meghan Weinstein, Kasia Szarek, and Shantell Yasmine Abeydeera Talk ‘The Influencer’

    McKinzie Smith
  • REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality
    14th Sep 2021

    REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality

    McKinzie Smith
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