Women in Horror Presents: The Scream Queen Awards

Every awards season, Scream Queens are snubbed with little-to-no recognition. It isn’t until years later, when their films have reached “legendary” status, that you begin to hear things like, “She was the best,” “There’s no other like her,” and whatnot. Well we here at Flip Screen, do not want to wait until the page has turned to honor these amazing Women in Horror. That is what this column is all about. So, we decided to put together a Scream Queen Awards to give recognition to the many powerful performances that have graced the horror genre.

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“You Shame Me!”- Analyzing a Woman’s Shame in ‘Drag Me to Hell’ (2009)

Since its initial release, Drag Me to Hell has received critical and commercial success. It showed the same scary, campy horror brilliance that Raimi demonstrated with The Evil Dead decades before. What also makes Raimi’s Drag Me to Hell so amazing is the subtext of shame. Whether he intended to or not, his film is saturated with associations of a woman’s shame. For this month’s Women in Horror, we want to take a deep dive into this subtext and dissect Raimi’s subtle nuances to convince you that this film is truly about a woman’s shame and how it is these insecurities that lay her literal path to hell.

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‘Sisters’ (1973) is a Reminder of Today’s Not-So-New Discussion

Liberation. Movement. Abolition. Accountability. These are just a few words circulating the atmosphere today. These words bring out a feeling, a feeling that breeds reflection and conversation in so many, including myself. They’ve been circulating the inner workings of my mind. Constantly. They were prevalent in my mind when I sat down to watch the 1973 film Sisters on HBOMAX, and I found those words plastered over every scene, warping every line spoken, and leaving me with that feeling for some reflective conversation.

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Ten Black and Totally Badass Villains and Heroines in Horror

Black women continue to play a wider (though not much wider) range of roles, from villains to heroines, in outstanding, unforgettable films. This list is just a small taste of the talent Black women have brought to the genre. It’s their headway that will hopefully bring in another new age where Hollywood can break the stereotypes of them in film completely, and this list can grow even larger as more Black women are offered the titular and main roles in the horror genre.

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MHAM: A World of Unsane Women – A Look Into ‘Unsane’ (2018)

Einstein once stated that the definition of insanity – or unsanity for the sake of the film’s title – was the act of doing the same thing over and over again and expecting a different result.

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Happy Horror Mother’s Day

Horror films have always taken tangible fears and placed them in despicable situations. A true feat of horror films is when they take a deep dive into a subconscious fear and bring it to light, making audiences more uncomfortable than any spider or vampire ever could. One of their most successful and re-used avenues is the fear of a toxic mother. Oh sure, there are scary movies about evil stepfathers and nasty nurses, but the fear of a “bad mom” has brought some of the best, most iconic horror films into fruition.

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She’s a Bad Mama Jama: A Dedication to Pamela Voorhees

As the mother of the famous Jason Voorhees, Ms. Voorhees birthed this franchise, literally and figuratively. 40 years ago, in the franchise’s first film, Pamela Voorhees watched her son drown as a result of the negligence of the counselors at Camp Crystal Lake. In a fit of vengeance, she kills the counselors and remains at the camp for years after – murdering anyone who dared to reopen it. After a night of blood and guts, she prepares to take her final victim – Alice Hardy (Adrienne King) – in the film’s climax. Before she had a chance, Alice decapitates Ms. Voorhees, and the film ends with an ominous jump-scare of a young Jason rising from the calm waters of Crystal Lake.

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Celebrating Female SFX Artists in Horror

For an industry that claims to be inclusive and representative of the people, especially in a genre like horror where women are the core drive to almost every film, you would think the same energy would be kept behind the scenes as it is in front of the camera. Still, as more industries continue to be called out for these disparities, the women behind the action now deserve some recognition. Thanks to women like Milicent Patrick paving a way for the women after them, the possibility of growth in the industry is tangible. So, I want to take this time to highlight some of the pioneers in the special effects industry for women as well as the women they have inspired who have taken the mantle and helped push forward the horror genre and the overall profession.

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Battle of the Killer Prom Nights

Remakes versus originals, old versus new, and so on. Hollywood loves to remake its beloved classics, more notably, their horror classics. Franchises like Halloween, Texas Chainsaw Massacre, and Friday the 13th have been rebooted numerous times. With so many redo’s and re-adaptations, arguments circle around which is better: the original or the remake. Though many would argue the original, this is not always the case. Some remakes score farther and higher than their predecessors, so we want to look at some remade classics to determine which is the superior.

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Women in Horror: Jenni and Jacinda's Top 2019 Horror Releases

2019 saw a release of over 30 horror films ranging in all themes and popularity. Our favorite horror films of 2019 cover a lot of this ground. Octavia Spencer, Rebecca Ferguson, Park So Dam, and Florence Pugh are just a few names that dominated the horror genre last year. From indies like In Fabric to blockbusters like Us, our favorites span across an array of themes and storylines.

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