How ‘It Follows’ (2014) Re-Imagines the Final Girl

In the nearly thirty years since the term was coined, Final Girls have appeared in many iterations, some pushing boundaries and some in line with the traditional trope. David Robert Mitchell’s film It Follows (2014) directly confronts the problems with the Final Girl while maintaining some elements of the trope, playing a role in crafting a new, modern version of the Final Girl.

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The Best Queer Women in Horror Films

LGBTQ+ characters don’t often fare well in horror films. Typically, they are horrific monsters or killers, such as in the films Psycho (1960), Dressed to Kill (1980), and Silence of the Lambs (1991). Sometimes, though, lesbian, bisexual and/or queer women get to take the lead in horror, subverting negative stereotypes. The films below are a great start in watching horror films with queer characters that differ from the norm, paving the way for continued representation of queer women in horror.

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REVIEW: The House That Jack Built (2018) is “Fascinating but Gruesome”

Watching Lars von Trier’s latest film The House That Jack Built is like seeing a true crime podcast come to life.

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Top of the Docs #16 – The Ten Best True Crime Docuseries Streaming Now

If you loved Netflix’s Tiger King, then you’re in luck there’s an abundance of true crime documentary series – a.k.a. docuseries – streaming right now. The docuseries format allows a story to be told with a level detail that couldn’t fit into a single documentary. To save you some time searching, here’s a list of the best ones out there.

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From “The Haunting” to “Thelma”: Lesbian Horror Over the Years

Horror and the LGBTQ+ community have a tumultuous relationship. Often, queer-coded characters are presented as villains whose queerness is part of the reason they’re frightening or they’re the first to die, acting as an example for the rest of the characters.

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REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”

Hunter (Haley Bennett) seems to have it all: a rich husband, a baby on the way, and a gorgeous home with space for a massive garden. Yet, she starts to feel confined to her home. Her aptly-named husband, Richie (Austin Stowell), encourages her to stay inside and rest throughout the pregnancy. With no job to attend to, her life is consumed with preparing the house for the baby. Her relationship with Richie is increasingly distant as Hunter feels stifled by her financial dependency and lack of control of her life. She finds release in a very strange place as she impulsively swallows a small glass marble.

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10 Horror Movies Directed by Women Streaming Now

The Invitation (2015) Director: Karyn Kusama Where to watch: Netflix The Invitation chronicles a dinner party gone terribly wrong. Will (Logan Marshall-Green) accepts a dinner party invite from his ex-wife, Eden (Tammy Blanchard), and her new husband, David (Michiel Huisman). In a room full of friends reuniting, the energy becomes eerie rather than joyful when…

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REVIEW: ‘The Lodge’ (2020) Shows a Terrifyingly Realistic Descent into Madness

The Lodge is a psychological horror that manages to surprise and scare even horror aficionados.

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REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More

Horse Girl had a lot of potential, but ended up feeling like a strong concept and creative visuals strung together without deeper meaning. The ambiguous ending leaves behind a craving for something more.

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REVIEW: ‘Gretel & Hansel’ (2020) is a story about female power and witchcraft

In a sea of reboots, sequels, and reiterations, Gretel & Hansel (2020) is a refreshingly dark film that feels new and exciting despite the centuries-old story.

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