Right from its title sequence, slick text brought onto the screen by crashing waves, it’s apparent that Leigh Whannell’s The Invisible Man is a wholly original take on what could be a stunted premise.
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Kaiya Shunyata is a Film Studies student and aspiring writer/director, hailing from Ontario, Canada. Kaiya is passionate about gay subtext, gold jewelry, and film scores. Kaiya's favourite films include, Annihilation, Mysterious Skin, The Social Network and Stranger by the Lake.
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