REVIEW: Chino Moya’s ‘Undergods’ (2021) is a Humorously Bleak Sci-fi Warning of a Future Already Here

Undergods firmly wants you to feel every inch of its bizarre horror landscape of a future that might not only be around the corner but is already here.

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[Nostalgia Week] The Everlasting Love and Pain of ‘The Crow’ (1994)

As one of the most achingly beautiful films ever made, The Crow, along with Lee’s immortal performance, should be left in the past, where we can visit it whenever darkness calls.

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REVIEW: Mike Cahill’s Sci-fi Drama ‘Bliss’ (2021) Gets Lost in a Silly, Weightless Plot

Not even Owen Wilson and Salma Hayek can rescue this dull sci-fi fantasy from glitching all over the place, and you’d expect a double act of this calibre to be a lot more fun than it is

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REVIEW: Brea Grant’s Frenetically Fun Dark Horror Comedy ‘12 Hour Shift’ (2020) Flies Past

Grant’s film treads a fine line of stone-faced humour, exploitation, and bloody violence, but a female centric cast and memorable performances make this an energetic and curious calling card

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REVIEW: ‘Away’ (2019) is a Wondrous Artistic Achievement

See it on the biggest screen, with the best sound and in the darkest room, Zilbalodis’ remarkable animation will make you feel like you’re flying

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REVIEW: ‘Anything for Jackson’ (2020) is a Delightfully Twisted Horror With Real Charm

Featuring a demonic contortionist that will make you scream, Dyck’s swerve into the horror genre is well worth an evening’s sacrifice.

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The Seven Resurrections of ‘The Walking Dead’

For its 10th anniversary, here are the seven resurrections of The Walking Dead, the bloodiest, emotional, and most resurgent episodes that kept the show alive for a weary fan.

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LFF REVIEW: ‘New Order’ (2020) is a Chaotic, Ultra-Violent Dystopian Warning

A fierce, uncompromising nightmare from Franco, meant to scream like a vision of a future that’s already revealing itself in the present.

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LFF REVIEW: ‘The Intruder’ (2020) is a Dull, Ineffective Paranormal Thriller

All of the ingredients are there, but they’ve been swished into a diluted, forgettable cocktail that’s more of a nightcap than a rush to the head.

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LFF REVIEW: ‘Rose: A Love Story’ (2020) is a Vampire Film For Our Times

An efficiently crafted piece of work shrouded in dread and frozen to last.

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