The Unlikely Rom-Coms of Elaine May

In her first two films, Elaine May uses her keen comedic eye to craft enduringly human stories of what a romantic relationship can be.

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Final Girls and Talking Killers: Feminist Transgressions in ‘The Slumber Party Massacre’ (1982)

40 years later, ‘The Slumber Party Massacre’ is a still a surprisingly progressive, feminist entry in the slasher genre.

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