REVIEW: ‘Language Lessons’ (2021) is All About Resilience

Language Lessons is the first computer screen-based film that focuses on the very things that a life of constant videotelephony has taken away from us.

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REVIEW: ‘Recovery’ (2021) Might Just Be the Medicine the World Needs

Recovery — Mallory Everton and Stephen Meek’s astonishing road trip comedy about the early days of the pandemic — cinematizes the phrase “someday you’ll look back at this and laugh.”

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SXSW REVIEW: ‘Paul Dood’s Deadly Lunch Break’ (2021) is Silly in the Best of Ways

Gillespie really stretches the limits of believability, allowing the film to casually slip into a wild farcicality that you can’t turn away from.

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SXSW REVIEW: ‘Potato Dreams of America’ (2021) A Brave, Yet Uneven Portrait of The American Dream

Potato Dreams of America is a surreal and cartoonish dramedy that lacks the vitality to puzzle it’s pieces together, even when those pieces are rich in plot and stylistically interesting .

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SUNDANCE REVIEW: ‘Strawberry Mansion’ (2021) is a Wildly Ambitious Fever Dream

Birney and Audley beg us to escape on a thrilling adventure into their fancy, but Strawberry Mansion is an astonishing dreamscape odyssey that’ll have you craving for one more minute of sleep.

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