‘Werewolves Within’ is watchable at points but will disappoint anyone who hopes it could reach the potential of its ludicrous concept.
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All articles filed in Ceridwen Millington
What Happened To Hope?: The Emotional Emptiness of Modern Cinema
Hope seems to have disappeared from modern cinema. Where has optimism for our future gone, and will things actually ever change?
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REVIEW: ‘Resident Evil: Infinite Darkness’ (2021) Blatantly Repeats The Past
‘Resident Evil: Infinite Darkness’ is the franchise’s latest attempt to break out of video games, but this politics-heavy thriller doesn’t do anything to break the mold.
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REVIEW — ‘Hungry Hearts’ (2014) Has Rich Ideas and Depth Beyond an Awkward Surface
A dark look at parenthood and the exceptional challenges it can bring, but its homage to great cinema doesn’t quite pay off.
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How Representation Helped Rescue My Mental Health
A personal look at how on screen representation can be life-changing.
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What ‘WandaVision’ Could Mean For the Future of Prestige TV
WandaVision put Marvel in the world of TV in a big way, but is it enough to be good for television’s future?
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REVIEW: ‘The Banishing’ (2020) is a Sunday Morning Movie
The Banishing is a horror movie built on familiar ground, and despite good intentions never quite surpasses its origins
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Did ‘Hannibal’ (2001) Cannibalise Itself?
Hannibal is 20 years old. It was the long awaited sequel to one of history’s most lauded films, so where does it stand in the film canon now?
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Does the New Year’s ‘Doctor Who’ Special Highlight a Failing Show?
Doctor Who has moved to New Year from its traditional Christmas Day slot. What does a festive special mean to the show, and are both no longer essential viewing?
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‘The King’s Speech’ (2010) at 10: Is it a Perpetual Classic?
The King’s Speech is a decade old in an ever changing industry. Have the old-school charms that brought it massive acclaim also helped it stand the test of time?
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