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ARCHIVE

  • ‘Requiem For A Dream’ Doesn’t Haunt Like ‘Last Exit To Brooklyn’
    29th Oct 2021

    ‘Requiem For A Dream’ Doesn’t Haunt Like ‘Last Exit To Brooklyn’

    Ceridwen Millington
  • REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent
    15th Sep 2021

    REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent

    Ceridwen Millington
  • What Happened To Hope?: The Emotional Emptiness of Modern Cinema
    7th Sep 2021

    What Happened To Hope?: The Emotional Emptiness of Modern Cinema

    Ceridwen Millington
  • REVIEW: ‘Resident Evil: Infinite Darkness’ (2021) Blatantly Repeats The Past
    6th Aug 2021

    REVIEW: ‘Resident Evil: Infinite Darkness’ (2021) Blatantly Repeats The Past

    Ceridwen Millington
  • REVIEW — ‘Hungry Hearts’ (2014) Has Rich Ideas and Depth Beyond an Awkward Surface
    3rd Jul 2021

    REVIEW — ‘Hungry Hearts’ (2014) Has Rich Ideas and Depth Beyond an Awkward Surface

    Ceridwen Millington
  • How Representation Helped Rescue My Mental Health
    19th Jun 2021

    How Representation Helped Rescue My Mental Health

    Ceridwen Millington
  • What ‘WandaVision’ Could Mean For the Future of Prestige TV
    30th Apr 2021

    What ‘WandaVision’ Could Mean For the Future of Prestige TV

    Ceridwen Millington
  • REVIEW: ‘The Banishing’ (2020) is a Sunday Morning Movie
    14th Apr 2021

    REVIEW: ‘The Banishing’ (2020) is a Sunday Morning Movie

    Ceridwen Millington
  • Did ‘Hannibal’ (2001) Cannibalise Itself?
    17th Mar 2021

    Did ‘Hannibal’ (2001) Cannibalise Itself?

    Ceridwen Millington
  • Does the New Year’s ‘Doctor Who’ Special Highlight a Failing Show?
    22nd Jan 2021

    Does the New Year’s ‘Doctor Who’ Special Highlight a Failing Show?

    Ceridwen Millington
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