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ARCHIVE

  • Maestro of the Macabre: Five Essential Films by Mario Bava
    9th Feb 2025

    Maestro of the Macabre: Five Essential Films by Mario Bava

    Rebecca Rosén
  • Goodbye, David Lynch.
    17th Jan 2025

    Goodbye, David Lynch.

    stephenjcosgrove
  • ‘Tombstone’ (1993) Turns 30: Why We Still Love It Today
    16th Feb 2024

    ‘Tombstone’ (1993) Turns 30: Why We Still Love It Today

    Robert Barger
  • Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work
    31st Aug 2021

    Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

    Rebecca Rosén
  • [Between the Lines] The ‘Bridesmaids’ (2011) Screenplay Holds Up 10 Years Later
    4th Jun 2021

    [Between the Lines] The ‘Bridesmaids’ (2011) Screenplay Holds Up 10 Years Later

    Gavin Spoors
  • Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance
    2nd May 2021

    Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance

    Rebecca Rosén
  • Did ‘Hannibal’ (2001) Cannibalise Itself?
    17th Mar 2021

    Did ‘Hannibal’ (2001) Cannibalise Itself?

    Ceridwen Millington
  • ‘The King’s Speech’ (2010) at 10: Is it a Perpetual Classic?
    18th Jan 2021

    ‘The King’s Speech’ (2010) at 10: Is it a Perpetual Classic?

    Ceridwen Millington
  • The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)
    19th Dec 2020

    The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)

    Bailey Herdé
  • 10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions
    17th Dec 2020

    10 Years On, ‘Tron: Legacy’ (2010) Deserves More Credit for its Ambitions

    Gavin Spoors
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