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ARCHIVE

  • ‘Promising Young Woman’ (2020) and the Reality of Sexual Trauma
    17th Feb 2021

    ‘Promising Young Woman’ (2020) and the Reality of Sexual Trauma

    oawootton
  • ‘It’s a Sin’ (2021) Exploring Fear of the Unknown
    15th Feb 2021

    ‘It’s a Sin’ (2021) Exploring Fear of the Unknown

    Jessica Cullen
  • How Truth Controls the Narrative in ‘Rebecca’ (2020)
    7th Feb 2021

    How Truth Controls the Narrative in ‘Rebecca’ (2020)

    lilliebee
  • Like Father, Like Child – 80’s Heroes Returning as Dads
    4th Feb 2021

    Like Father, Like Child – 80’s Heroes Returning as Dads

    Shaun Alexander
  • [The Revolution Will Be Televised] Starship Troopers (1997) and American Fascism
    26th Jan 2021

    [The Revolution Will Be Televised] Starship Troopers (1997) and American Fascism

    georgeforster1998
  • Claire Mathon’s Counter-Culture of New Romance Through Visual Imagery
    19th Jan 2021

    Claire Mathon’s Counter-Culture of New Romance Through Visual Imagery

    Nuha Hassan
  • ‘The King’s Speech’ (2010) at 10: Is it a Perpetual Classic?
    18th Jan 2021

    ‘The King’s Speech’ (2010) at 10: Is it a Perpetual Classic?

    Ceridwen Millington
  • ‘American Psycho’ (2000) and ‘From Hell’ (2001) – 20 Years of Untapped Potential
    5th Jan 2021

    ‘American Psycho’ (2000) and ‘From Hell’ (2001) – 20 Years of Untapped Potential

    Ceridwen Millington
  • ‘The Boys’: A Critique on the Consumption of the Superhero Genre
    20th Dec 2020

    ‘The Boys’: A Critique on the Consumption of the Superhero Genre

    Nuha Hassan
  • The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)
    19th Dec 2020

    The Timelessness of Space and Intimacy in ‘Pride & Prejudice’ (2005)

    Bailey Herdé
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