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ARCHIVE

  • ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd
    8th Jul 2022

    ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd

    Rebecca Rosén
  • ‘Petite Maman’ (2021) and the Utility of Wish Fulfillment
    6th Jul 2022

    ‘Petite Maman’ (2021) and the Utility of Wish Fulfillment

    Christian Craig
  • Reflections from the Year of the Movie Musical
    23rd Jun 2022

    Reflections from the Year of the Movie Musical

    henrychandonnet
  • Does ‘Iron Man 3’ (2013) Hate Me?
    3rd Jun 2022

    Does ‘Iron Man 3’ (2013) Hate Me?

    Javier Reyes
  • Girls Will Be Anything But Themselves: An Exploration of Teenage Girls on Film
    26th May 2022

    Girls Will Be Anything But Themselves: An Exploration of Teenage Girls on Film

    Jennifer Maxwell
  • ‘Spider-Man: No Way Home’ (2021) and ‘Scream’ (2022): Fan Service That Matters
    5th Mar 2022

    ‘Spider-Man: No Way Home’ (2021) and ‘Scream’ (2022): Fan Service That Matters

    rebeccamccafferty12
  • “As Bizarre and Erotic as Possible”: Is ‘2046’ (2004) Wong Kar-wai’s Sci-Fi Movie?
    12th Feb 2022

    “As Bizarre and Erotic as Possible”: Is ‘2046’ (2004) Wong Kar-wai’s Sci-Fi Movie?

    Kate Blowers
  • When All Other Lights Go Out – The Comfort of ‘The Lord of the Rings: The Fellowship of the Ring’ (2001) 20 Years Later
    4th Feb 2022

    When All Other Lights Go Out – The Comfort of ‘The Lord of the Rings: The Fellowship of the Ring’ (2001) 20 Years Later

    Adrian Manuel
  • ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’
    27th Jan 2022

    ‘Money Heist’: From ‘Don Quixote’ to ‘Lazarillo de Tormes’

    Tutku Vatansever
  • ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 
    3rd Jan 2022

    ‘Yellowjackets’ (2021) Perfects the Sting of Female Rage in Television 

    alexapellegrini
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