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ARCHIVE

  • ‘King Richard’ (2021) and its Focus on Flawed Fatherhood
    7th Aug 2022

    ‘King Richard’ (2021) and its Focus on Flawed Fatherhood

    Rudolph Lambert Fernandez
  • ‘Would It Kill You to Laugh?’ (2022) Leaves Viewers Both Satisfied and Hungry for More
    6th Aug 2022

    ‘Would It Kill You to Laugh?’ (2022) Leaves Viewers Both Satisfied and Hungry for More

    Rebecca Rosén
  • ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd
    8th Jul 2022

    ‘Three Busy Debras’ and Its Exhilarating Celebration of the Absurd

    Rebecca Rosén
  • ‘Petite Maman’ (2021) and the Utility of Wish Fulfillment
    6th Jul 2022

    ‘Petite Maman’ (2021) and the Utility of Wish Fulfillment

    Christian Craig
  • Reflections from the Year of the Movie Musical
    23rd Jun 2022

    Reflections from the Year of the Movie Musical

    henrychandonnet
  • Does ‘Iron Man 3’ (2013) Hate Me?
    3rd Jun 2022

    Does ‘Iron Man 3’ (2013) Hate Me?

    Javier Reyes
  • Girls Will Be Anything But Themselves: An Exploration of Teenage Girls on Film
    26th May 2022

    Girls Will Be Anything But Themselves: An Exploration of Teenage Girls on Film

    Jennifer Maxwell
  • ‘Spider-Man: No Way Home’ (2021) and ‘Scream’ (2022): Fan Service That Matters
    5th Mar 2022

    ‘Spider-Man: No Way Home’ (2021) and ‘Scream’ (2022): Fan Service That Matters

    rebeccamccafferty12
  • “As Bizarre and Erotic as Possible”: Is ‘2046’ (2004) Wong Kar-wai’s Sci-Fi Movie?
    12th Feb 2022

    “As Bizarre and Erotic as Possible”: Is ‘2046’ (2004) Wong Kar-wai’s Sci-Fi Movie?

    Kate Blowers
  • When All Other Lights Go Out – The Comfort of ‘The Lord of the Rings: The Fellowship of the Ring’ (2001) 20 Years Later
    4th Feb 2022

    When All Other Lights Go Out – The Comfort of ‘The Lord of the Rings: The Fellowship of the Ring’ (2001) 20 Years Later

    Adrian Manuel
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