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ARCHIVE

  • Going ‘Down With Love’: Sex, Lies, and Romantic Comedies
    27th Sep 2021

    Going ‘Down With Love’: Sex, Lies, and Romantic Comedies

    Megan Robinson
  • Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner
    22nd Sep 2021

    Perfect Humiliation: ‘All About Lily Chou-Chou’ (2001), Adolescence, and the Dawn of the Internet Loner

    Tyler Simeone
  • What Happened To Hope?: The Emotional Emptiness of Modern Cinema
    7th Sep 2021

    What Happened To Hope?: The Emotional Emptiness of Modern Cinema

    Ceridwen Millington
  • “People are All We’ve Got”: Finding Hope in Humanity and Other People
    4th Sep 2021

    “People are All We’ve Got”: Finding Hope in Humanity and Other People

    carolinehvd
  • Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)
    3rd Sep 2021

    Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

    lrostant
  • Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work
    31st Aug 2021

    Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

    Rebecca Rosén
  • The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)
    27th Aug 2021

    The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)

    Katie Coxall
  • ‘Children of Men’ (2006) and the Birth of Hope
    25th Aug 2021

    ‘Children of Men’ (2006) and the Birth of Hope

    Emily Gett
  • The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)
    23rd Aug 2021

    The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)

    Mariana Delgado
  • The Anatomy of Disturbing Films
    25th Jul 2021

    The Anatomy of Disturbing Films

    hannahgranberry
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