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ARCHIVE

  • Disrupting American Mythologies: ‘Nomadland’ (2020) and Tales of Manifest Destiny
    19th Jul 2021

    Disrupting American Mythologies: ‘Nomadland’ (2020) and Tales of Manifest Destiny

    Matthew Walker
  • Revisiting Wes Craven’s ‘A Nightmare on Elm Street’ (1984) and Horror’s Obsession with the Female Mind
    10th Jul 2021

    Revisiting Wes Craven’s ‘A Nightmare on Elm Street’ (1984) and Horror’s Obsession with the Female Mind

    Mariana Delgado
  • How Representation Helped Rescue My Mental Health
    19th Jun 2021

    How Representation Helped Rescue My Mental Health

    Ceridwen Millington
  • Black Boyhood Under Threat in ‘Attack the Block’ (2011)
    15th Jun 2021

    Black Boyhood Under Threat in ‘Attack the Block’ (2011)

    elalicering
  • 20 Years On, ‘Moulin Rouge!’ (2001) Remains a Metatheatrical, Maximalist Masterpiece
    1st Jun 2021

    20 Years On, ‘Moulin Rouge!’ (2001) Remains a Metatheatrical, Maximalist Masterpiece

    Carmen Paddock
  • The Faux Feminism of ‘Stranger Things’
    30th May 2021

    The Faux Feminism of ‘Stranger Things’

    Nuha Hassan
  • ‘Melancholia’ (2011) and How I Learned to Stop Worrying and Love the Planet
    4th May 2021

    ‘Melancholia’ (2011) and How I Learned to Stop Worrying and Love the Planet

    Jennifer Maxwell
  • Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance
    2nd May 2021

    Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance

    Rebecca Rosén
  • Nostalgia, Toxic Masculinity, and Geek Culture in ‘Stranger Things’
    17th Apr 2021

    Nostalgia, Toxic Masculinity, and Geek Culture in ‘Stranger Things’

    Nuha Hassan
  • The Progression of Werewolf Stereotypes in the Media
    2nd Apr 2021

    The Progression of Werewolf Stereotypes in the Media

    ryder
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