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ARCHIVE

  • What Happened To Hope?: The Emotional Emptiness of Modern Cinema
    7th Sep 2021

    What Happened To Hope?: The Emotional Emptiness of Modern Cinema

    Ceridwen Millington
  • “People are All We’ve Got”: Finding Hope in Humanity and Other People
    4th Sep 2021

    “People are All We’ve Got”: Finding Hope in Humanity and Other People

    carolinehvd
  • Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)
    3rd Sep 2021

    Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

    lrostant
  • Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work
    31st Aug 2021

    Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

    Rebecca Rosén
  • The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)
    27th Aug 2021

    The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)

    Katie Coxall
  • ‘Children of Men’ (2006) and the Birth of Hope
    25th Aug 2021

    ‘Children of Men’ (2006) and the Birth of Hope

    Emily Gett
  • The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)
    23rd Aug 2021

    The Ties that Bind Us: Hope and Family in ‘Little Miss Sunshine’ (2004)

    Mariana Delgado
  • FANTASIA 2021 CAPSULE REVIEWS: ‘Stanleyville’ (2021) and ‘Don’t Say Its Name’ (2021)
    22nd Aug 2021

    FANTASIA 2021 CAPSULE REVIEWS: ‘Stanleyville’ (2021) and ‘Don’t Say Its Name’ (2021)

    Hayley Paskevich
  • FANTASIA 2021 INTERVIEW: ‘Glasshouse’ – Jessica Alexander
    21st Aug 2021

    FANTASIA 2021 INTERVIEW: ‘Glasshouse’ – Jessica Alexander

    Hayley Paskevich
  • FANTASIA 2021 INTERVIEW: ‘Dreams on Fire’ – Philippe McKie
    20th Aug 2021

    FANTASIA 2021 INTERVIEW: ‘Dreams on Fire’ – Philippe McKie

    Hayley Paskevich
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