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ARCHIVE

  • REVIEW: Tenet (2020) Strives to Break New Ground
    31st Aug 2020

    REVIEW: Tenet (2020) Strives to Break New Ground

    jamespalmerfilm
  • Now That’s What I Call Kino #5 – The Effects of Imperialism in Golden Age Horror
    30th Aug 2020

    Now That’s What I Call Kino #5 – The Effects of Imperialism in Golden Age Horror

    jamespalmerfilm
  • Let the Bennetts Meet the Marchs: Sisterhood in ‘Pride & Prejudice’ (2005) and ‘Little Women’ (2019)
    30th Aug 2020

    Let the Bennetts Meet the Marchs: Sisterhood in ‘Pride & Prejudice’ (2005) and ‘Little Women’ (2019)

    hrgibs
  • Between the Lines: Creating a Visual Identity in the ‘Scott Pilgrim vs. the World’ (2010) Screenplay
    28th Aug 2020

    Between the Lines: Creating a Visual Identity in the ‘Scott Pilgrim vs. the World’ (2010) Screenplay

    Gavin Spoors
  • Finding Beauty in Humanity: Remembering Lynn Shelton Through Her Work
    27th Aug 2020

    Finding Beauty in Humanity: Remembering Lynn Shelton Through Her Work

    Rebecca Rosén
  • The New New Wave of British Cinema: Joanna Hogg and the Middle-Class Social Realist Film
    25th Aug 2020

    The New New Wave of British Cinema: Joanna Hogg and the Middle-Class Social Realist Film

    Shelby Cooke
  • Female Spaces in Masculine Places: Examining the Heroine’s Journey in ‘Twilight’ (2008) and ‘Midsommar’ (2019)
    23rd Aug 2020

    Female Spaces in Masculine Places: Examining the Heroine’s Journey in ‘Twilight’ (2008) and ‘Midsommar’ (2019)

    Mia Sherry
  • Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)
    23rd Aug 2020

    Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)

    jamespalmerfilm
  • How ‘The Good Place’ Ended The Nature versus Nurture Debate
    22nd Aug 2020

    How ‘The Good Place’ Ended The Nature versus Nurture Debate

    Gökçe Erdoğan
  • When ‘No Good’ is Just Right: Barbara Loden’s ‘Wanda’ (1970) as a Balm for The Pandemic Pessimist
    21st Aug 2020

    When ‘No Good’ is Just Right: Barbara Loden’s ‘Wanda’ (1970) as a Balm for The Pandemic Pessimist

    Caitlin Wilson
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