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ARCHIVE

  • Are They or Aren’t They? A Call For Less “Coding” And More Explicitly LGBT Characters In Modern Film
    13th Jun 2019

    Are They or Aren’t They? A Call For Less “Coding” And More Explicitly LGBT Characters In Modern Film

    Beca
  • SUNDANCE REVIEW:”A Glossy, Well Put Together Comedy” – Late Night (2019)
    12th Jun 2019

    SUNDANCE REVIEW:”A Glossy, Well Put Together Comedy” – Late Night (2019)

    Emily Gett
  • ‘Gia’: The Undone, The Divine, and Everything In Between
    11th Jun 2019

    ‘Gia’: The Undone, The Divine, and Everything In Between

    Flip Screen
  • SUNDANCE REVIEW: “Almost Too Beautiful To Be Real” – ‘Apollo 11’ (2019)
    8th Jun 2019

    SUNDANCE REVIEW: “Almost Too Beautiful To Be Real” – ‘Apollo 11’ (2019)

    Emily Maskell
  • SUNDANCE REVIEW: “A Story Told With Complete Honesty” – ‘The Farewell’ (2019)
    7th Jun 2019

    SUNDANCE REVIEW: “A Story Told With Complete Honesty” – ‘The Farewell’ (2019)

    Emily Gett
  • Music in the Void: High Life and the Use of Music
    7th Jun 2019

    Music in the Void: High Life and the Use of Music

    fedortot
  • ‘Iron Man 3’: A Different Kind of Superpower
    6th Jun 2019

    ‘Iron Man 3’: A Different Kind of Superpower

    rebeccamccafferty12
  • SUNDANCE REVIEW:”Never Left Satisfyingly Avenged” – ‘The Nightingale’ (2019)
    6th Jun 2019

    SUNDANCE REVIEW:”Never Left Satisfyingly Avenged” – ‘The Nightingale’ (2019)

    Shaun Alexander
  • REVIEW: “Honest Depiction of Grief With Hilarious Performances” – Thunder Road (2019)
    31st May 2019

    REVIEW: “Honest Depiction of Grief With Hilarious Performances” – Thunder Road (2019)

    Emily Gett
  • Depression and Suicide in Billy Wilder’s The Apartment
    30th May 2019

    Depression and Suicide in Billy Wilder’s The Apartment

    Flip Screen
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