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ARCHIVE

  • REVIEW: Rafiki (2018) is a Testament to Hope
    28th Apr 2019

    REVIEW: Rafiki (2018) is a Testament to Hope

    Alissa Morgan
  • ‘Frances Ha’ (2012) and Its Everlasting Message About the Road to Finding Yourself
    23rd Apr 2019

    ‘Frances Ha’ (2012) and Its Everlasting Message About the Road to Finding Yourself

    rebeccamccafferty12
  • BFI FLARE REVIEW: ‘Greta’ (2019) Director Praca is Poised To Emerge as a Breakout Success
    20th Apr 2019

    BFI FLARE REVIEW: ‘Greta’ (2019) Director Praca is Poised To Emerge as a Breakout Success

    Flip Screen
  • Rose Tico – Diversifying ‘A Galaxy Far Far Away’…
    19th Apr 2019

    Rose Tico – Diversifying ‘A Galaxy Far Far Away’…

    Emily Gett
  • Disney+ and the Commercialisation of ‘The Simpsons’
    18th Apr 2019

    Disney+ and the Commercialisation of ‘The Simpsons’

    obsessreviews
  • ‘Labyrinth'(1986): Navigating the Maze of Womanhood
    12th Apr 2019

    ‘Labyrinth'(1986): Navigating the Maze of Womanhood

    Flip Screen
  • Five Stages of Young Love in ‘Call Me By Your Name’ (2017)
    11th Apr 2019

    Five Stages of Young Love in ‘Call Me By Your Name’ (2017)

    Sophie Butcher
  • BFI FLARE REVIEW: ‘Tucked’ (2019) is a Reminder That Everyone Needs a Little Bit of Faith
    10th Apr 2019

    BFI FLARE REVIEW: ‘Tucked’ (2019) is a Reminder That Everyone Needs a Little Bit of Faith

    Emily Maskell
  • BFI FLARE REVIEW: ‘United We Fan’ (2019) Honours the Fans Who Fight Back
    4th Apr 2019

    BFI FLARE REVIEW: ‘United We Fan’ (2019) Honours the Fans Who Fight Back

    Emily Maskell
  • Knives Chau vs. The World: The Misconception of a Teen
    28th Mar 2019

    Knives Chau vs. The World: The Misconception of a Teen

    Georgia Davis
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