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ARCHIVE

  • “Do You Want to Mango With Me?” An Exploration of Female Pleasure in Alli Hapasalo’s ‘Girl Picture’ (2022)
    12th Nov 2022

    “Do You Want to Mango With Me?” An Exploration of Female Pleasure in Alli Hapasalo’s ‘Girl Picture’ (2022)

    Natalie Quinn
  • REVIEW: ‘Stay on Board: The Leo Baker Story’ (2022) Is Intimate and Powerful All at Once
    6th Sep 2022

    REVIEW: ‘Stay on Board: The Leo Baker Story’ (2022) Is Intimate and Powerful All at Once

    Rebecca Rosén
  • Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves
    30th Jun 2022

    Pride 2022 – Flip Screen’s Recent LGBTQ+ Media Faves

    Hayley Paskevich
  • BFI FLARE REVIEW: ‘The End Of Wonderland’ (2021) is a Thoughtful And Complex Look at a Trans Sex Worker’s Life
    20th Apr 2022

    BFI FLARE REVIEW: ‘The End Of Wonderland’ (2021) is a Thoughtful And Complex Look at a Trans Sex Worker’s Life

    Ceridwen Millington
  • REVIEW: ‘Found Family’ (2021) is a Sweet Addition to the Lesbian Bildungsroman
    24th Feb 2022

    REVIEW: ‘Found Family’ (2021) is a Sweet Addition to the Lesbian Bildungsroman

    Shar Tan
  • [Between the Lines] What Makes the ‘Pride’ (2014) Screenplay a Crowd-Pleasing Hit
    25th Jun 2021

    [Between the Lines] What Makes the ‘Pride’ (2014) Screenplay a Crowd-Pleasing Hit

    Gavin Spoors
  • How Representation Helped Rescue My Mental Health
    19th Jun 2021

    How Representation Helped Rescue My Mental Health

    Ceridwen Millington
  • BFI FLARE INTERVIEW: Shana Myara on Finding Fat Liberation With ‘Well Rounded’ (2020)
    16th Apr 2021

    BFI FLARE INTERVIEW: Shana Myara on Finding Fat Liberation With ‘Well Rounded’ (2020)

    Sophie Butcher
  • BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers
    4th Apr 2021

    BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers

    Luís Correia
  • BFI FLARE REVIEW: ‘The Dose’ (2021) Administers Great Direction But Poor Writing
    3rd Apr 2021

    BFI FLARE REVIEW: ‘The Dose’ (2021) Administers Great Direction But Poor Writing

    Gavin Spoors
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