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ARCHIVE

  • REVIEW: “So Bad it’s Laughable” – Downton Abbey (2019)
    21st Oct 2019

    REVIEW: “So Bad it’s Laughable” – Downton Abbey (2019)

    Niamh Crawley
  • Going to Church with the Rocky Horror Picture Show
    19th Oct 2019

    Going to Church with the Rocky Horror Picture Show

    Sam Goodyear
  • Six of the Most Important Animated TV Shows of the 21st Century
    20th Sep 2019

    Six of the Most Important Animated TV Shows of the 21st Century

    Flip Screen
  • “I’ll Be Seeing You”: Falling Apart and Together in ‘Out of Blue’
    18th Sep 2019

    “I’ll Be Seeing You”: Falling Apart and Together in ‘Out of Blue’

    Lana
  • Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot
    14th Sep 2019

    Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot

    roannasylver
  • The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist
    7th Sep 2019

    The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist

    Michaela Barton
  • How Anna and Elsa Represent Summer in ‘Frozen’ (2013)
    1st Sep 2019

    How Anna and Elsa Represent Summer in ‘Frozen’ (2013)

    Shaun Alexander
  • No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’
    28th Aug 2019

    No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’

    Georgia Davis
  • “Stranger and More Complicated Than You Know”: Storytelling as Communion and Experimentation in ‘The OA’
    27th Aug 2019

    “Stranger and More Complicated Than You Know”: Storytelling as Communion and Experimentation in ‘The OA’

    Lana
  • ‘Point Break’: The Action Film That Dared to Be More
    26th Aug 2019

    ‘Point Break’: The Action Film That Dared to Be More

    Lauren Peterson
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