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ARCHIVE

  • How Gwendolyn Briggs Waltzed into Every Lesbian’s Heart
    15th Oct 2020

    How Gwendolyn Briggs Waltzed into Every Lesbian’s Heart

    owlwriting
  • How ‘Alien’ (1979) Queered the Binaries of Traditional Gender
    18th Aug 2020

    How ‘Alien’ (1979) Queered the Binaries of Traditional Gender

    Michaela Barton
  • The Magic of Nostalgia and Longing in ‘Grey Gardens’ (1975)
    22nd Jul 2020

    The Magic of Nostalgia and Longing in ‘Grey Gardens’ (1975)

    Molly Miles
  • PRIDE 2020: ‘This is How the World Ends’ (2000) Could Have Been A Cultural Reset For LGBTQ+ TV
    28th Jun 2020

    PRIDE 2020: ‘This is How the World Ends’ (2000) Could Have Been A Cultural Reset For LGBTQ+ TV

    Pedro Serafim
  • MHAM: ‘Fleabag’ (2016-2019) and the Messy Reality of Mental Illness
    25th May 2020

    MHAM: ‘Fleabag’ (2016-2019) and the Messy Reality of Mental Illness

    Michaela Barton
  • The Art of Yearning in Lesbian Cinema
    19th May 2020

    The Art of Yearning in Lesbian Cinema

    Michaela Barton
  • MHAM: Fat People Have Eating Disorders Too – A Love Letter To ‘My Mad Fat Diary’
    15th May 2020

    MHAM: Fat People Have Eating Disorders Too – A Love Letter To ‘My Mad Fat Diary’

    Sophie Butcher
  • ‘A Secret Love’ (2020): A Bridge Between Generations
    12th May 2020

    ‘A Secret Love’ (2020): A Bridge Between Generations

    owlwriting
  • Forget Crazy Rich Asians – Saving Face Is Still the Best Asian-American Rom-Com
    1st May 2020

    Forget Crazy Rich Asians – Saving Face Is Still the Best Asian-American Rom-Com

    Ian Wang
  • 30 Years On, Twin Peaks Proves That It’s Damn Fine to be Weird
    8th Apr 2020

    30 Years On, Twin Peaks Proves That It’s Damn Fine to be Weird

    Kevin Woodley
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