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ARCHIVE

  • LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 
    6th Dec 2025

    LFF 2025: Unpacking Your Family Baggage With Joachim Trier’s ‘Sentimental Value’ 

    Natalie Quinn
  • SQIFF 2025: QUEERLY BELOVED
    6th Nov 2025

    SQIFF 2025: QUEERLY BELOVED

    Hayley Paskevich
  • SQIFF 2025: NO PRIDE IN GENOCIDE
    31st Oct 2025

    SQIFF 2025: NO PRIDE IN GENOCIDE

    Hayley Paskevich
  • REVIEW: ‘Americana’ (2023) is a Revisionist Western Journey of Revenge and Repatriation
    22nd Sep 2025

    REVIEW: ‘Americana’ (2023) is a Revisionist Western Journey of Revenge and Repatriation

    Hayley Paskevich
  • REVIEW: Eva Victor’s ‘Sorry, Baby’ (2025) is Unapologetically Raw, Real and Radiant 
    20th Aug 2025

    REVIEW: Eva Victor’s ‘Sorry, Baby’ (2025) is Unapologetically Raw, Real and Radiant 

    Natalie Quinn
  • GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 
    16th Mar 2025

    GFF 2025 Review: ‘Neon Dreaming’ and the Battle Between Truth and Imagination 

    Natalie Quinn
  • REVIEW: ‘Colin from Accounts’ Season 2 Continues to Captivate With Its Indisputable Charm, Honesty and Wit
    12th Feb 2025

    REVIEW: ‘Colin from Accounts’ Season 2 Continues to Captivate With Its Indisputable Charm, Honesty and Wit

    Rebecca Rosén
  • REVIEW: ‘The Brutalist’ (2024) Stuns in Scale and Story
    14th Dec 2024

    REVIEW: ‘The Brutalist’ (2024) Stuns in Scale and Story

    Jannat Suleman
  • NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days
    10th Dec 2024

    NYFF 2024 REVIEW: ‘Maria’ (2024) Paints a Bittersweet Portrait of a Dying Artist’s Final Days

    Alysha Lindvik
  • REVIEW: ‘Your Monster’ (2024) is a Triumphant Tale of Rage and Reclaiming Self-Worth
    27th Nov 2024

    REVIEW: ‘Your Monster’ (2024) is a Triumphant Tale of Rage and Reclaiming Self-Worth

    Hayley Paskevich
1 2 3 … 48
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