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ARCHIVE

  • REVIEW: Queer Vampire Film ‘Bit’ (2019) Is Unafraid to Sink its Teeth Into Feminism
    28th Apr 2020

    REVIEW: Queer Vampire Film ‘Bit’ (2019) Is Unafraid to Sink its Teeth Into Feminism

    Hayley Paskevich
  • REVIEW: ‘The Sharks’ Is a Subtle yet Hypnotic Coming of Age Film
    25th Apr 2020

    REVIEW: ‘The Sharks’ Is a Subtle yet Hypnotic Coming of Age Film

    oakleymoranfilm
  • REVIEW: ‘Why Don’t You Just Die!’ (2020) is a Madcap Dark Comedy
    22nd Apr 2020

    REVIEW: ‘Why Don’t You Just Die!’ (2020) is a Madcap Dark Comedy

    Beca
  • REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”
    22nd Apr 2020

    REVIEW: Swallow (2019) is “Horrifying Precisely Because of How Real it Feels”

    Jenni Holtz
  • REVIEW: ‘The Way Back’ (2020) Fails to Reach its Potential
    19th Apr 2020

    REVIEW: ‘The Way Back’ (2020) Fails to Reach its Potential

    Caillin McDaid
  • REVIEW: ‘Butt Boy’ (2020) is Not as Bad as the Film’s Title
    14th Apr 2020

    REVIEW: ‘Butt Boy’ (2020) is Not as Bad as the Film’s Title

    Michaela Barton
  • BFI FLARE REVIEW: ‘A Dog Barking at the Moon’ (2019) is a Carefully Crafted Portrait of a Family Held Together by a Thread
    12th Apr 2020

    BFI FLARE REVIEW: ‘A Dog Barking at the Moon’ (2019) is a Carefully Crafted Portrait of a Family Held Together by a Thread

    Emily Garbutt
  • REVIEW: Cell Adore Film Festival showcases the finest in short filmmaking talent
    10th Apr 2020

    REVIEW: Cell Adore Film Festival showcases the finest in short filmmaking talent

    Michaela Barton
  • Review: ‘Tales from the Loop’ (2020) is a Quiet Meditation on the Human Condition
    10th Apr 2020

    Review: ‘Tales from the Loop’ (2020) is a Quiet Meditation on the Human Condition

    Gavin Spoors
  • REVIEW: Dimension 20’s ‘A Crown of Candy’ is a Royal Success
    6th Apr 2020

    REVIEW: Dimension 20’s ‘A Crown of Candy’ is a Royal Success

    Bethany Datuin
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