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ARCHIVE

  • REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic
    24th Feb 2020

    REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic

    Michaela Barton
  • REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More
    19th Feb 2020

    REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More

    Jenni Holtz
  • REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World
    17th Feb 2020

    REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World

    RaeAnn Quick
  • REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness
    15th Feb 2020

    REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness

    Emily Maskell
  • SUNDANCE REVIEW: Who Wants to be a ‘Kajillionaire’ (2020)
    13th Feb 2020

    SUNDANCE REVIEW: Who Wants to be a ‘Kajillionaire’ (2020)

    Katarina Docalovich
  • REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script
    11th Feb 2020

    REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script

    Sophie Butcher
  • REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential
    10th Feb 2020

    REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential

    oakleymoranfilm
  • SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories
    8th Feb 2020

    SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories

    Katarina Docalovich
  • REVIEW: ‘Party of Five’ is an Endearing and Necessary Immigrant Story
    6th Feb 2020

    REVIEW: ‘Party of Five’ is an Endearing and Necessary Immigrant Story

    Thalia Castro
  • REVIEW: ‘Birds of Prey’ (2020) is a Powerhouse of Women Telling Their Own Stories.
    5th Feb 2020

    REVIEW: ‘Birds of Prey’ (2020) is a Powerhouse of Women Telling Their Own Stories.

    Emily Maskell
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