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ARCHIVE

  • REVIEW: “Giving voice to the victim” – Unbelievable (2019)
    21st Sep 2019

    REVIEW: “Giving voice to the victim” – Unbelievable (2019)

    Bethany Datuin
  • Six of the Most Important Animated TV Shows of the 21st Century
    20th Sep 2019

    Six of the Most Important Animated TV Shows of the 21st Century

    Flip Screen
  • REVIEW: “Manages to end with the message it started with” – ‘Orange Is the New Black’ (Season 7)
    18th Sep 2019

    REVIEW: “Manages to end with the message it started with” – ‘Orange Is the New Black’ (Season 7)

    Sophie Butcher
  • INTERVIEW: A Chat with April Washko about ‘Chair Gang’
    30th Aug 2019

    INTERVIEW: A Chat with April Washko about ‘Chair Gang’

    Jenni Holtz
  • No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’
    28th Aug 2019

    No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’

    Georgia Davis
  • “Stranger and More Complicated Than You Know”: Storytelling as Communion and Experimentation in ‘The OA’
    27th Aug 2019

    “Stranger and More Complicated Than You Know”: Storytelling as Communion and Experimentation in ‘The OA’

    Lana
  • ‘Killing Eve”s Villanelle: A Girl Gone Bad (And It’s So Good)
    22nd Aug 2019

    ‘Killing Eve”s Villanelle: A Girl Gone Bad (And It’s So Good)

    Kaleigh Howland
  • In ‘Big Little Lies’, Belief and Faith is Reserved for White Women 
    15th Aug 2019

    In ‘Big Little Lies’, Belief and Faith is Reserved for White Women 

    Shar Tan
  • Flipping The Script Upside Down: Women And Girls With Agency In ‘Stranger Things’ Season Three
    10th Aug 2019

    Flipping The Script Upside Down: Women And Girls With Agency In ‘Stranger Things’ Season Three

    Hayley Paskevich
  • REVIEW: “Short, Sweet and Deliciously Hammy” – Frankenstein’s Monster’s Monster, Frankenstein
    9th Aug 2019

    REVIEW: “Short, Sweet and Deliciously Hammy” – Frankenstein’s Monster’s Monster, Frankenstein

    Michaela Barton
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