‘The Souvenir Part II’ takes off from exactly where Part I left us, and gives us a beautifully cyclical inverse to the story.
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‘The Souvenir Part II’ takes off from exactly where Part I left us, and gives us a beautifully cyclical inverse to the story.
Read More“‘Memoria’ takes its audience on a journey to somewhere wholly unexpected, yet upon arrival, it’s clear that the film couldn’t end anywhere else.”
Read More“‘Ali and Ava’ is a film that brings Barnard’s usual visual and sonic flair, but it falls slightly short of the mark by not tackling the signifiers inherent in the story’s themes.”
Read More‘Factory to the Workers’ explores the only example of a working factory co-operative in post-socialist Europe, examining its triumphs, its shortcomings, and what is holding it back.
Read MoreDaniel Draper and Allan Melia explore Liverpool 8 in their latest film, using Don McCullin’s photographs as a rough guide.
Read MoreWhat is fascinating about ‘The Village Detective,’ as well as perhaps Morrison’s recent practice, is the ability to take a piece of unwanted footage that was tossed away many years ago, and use the documentary form to archive it in such a way that its context and value are maximised.
Read MoreThe Gleaners and I is a film not just revolutionary for its ground-breaking use of handheld digital cameras, but also for the way in which Varda set about making the film.
Read MoreDespite not holding the soothing influence of Bob Ross throughout its runtime, El sol del membrillo is perhaps the defining documentary about painting.
Read MoreWith Dawson City: Frozen Time the, extremities at which film can survive is told through a documentary narrative like no other.
Read MoreRoger & Me is undoubtedly a film about how American cities, both big and small, are beholden to corporate power.
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