‘Factory to the Workers’ explores the only example of a working factory co-operative in post-socialist Europe, examining its triumphs, its shortcomings, and what is holding it back.
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All articles filed in Top of the Docs
Top of the Docs #52 – SHEFFIELD DOC/FEST REVIEW: Don McCullin: ‘Almost Liverpool 8’ (2021)
Daniel Draper and Allan Melia explore Liverpool 8 in their latest film, using Don McCullin’s photographs as a rough guide.
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Top of the Docs #51 – IFFR Review: ‘The Village Detective: A Song Cycle’ (2021)
What is fascinating about ‘The Village Detective,’ as well as perhaps Morrison’s recent practice, is the ability to take a piece of unwanted footage that was tossed away many years ago, and use the documentary form to archive it in such a way that its context and value are maximised.
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Top of the Docs #50 – The Gleaners and I (2000)
The Gleaners and I is a film not just revolutionary for its ground-breaking use of handheld digital cameras, but also for the way in which Varda set about making the film.
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Top of the Docs #49 – El sol del membrillo (1992)
Despite not holding the soothing influence of Bob Ross throughout its runtime, El sol del membrillo is perhaps the defining documentary about painting.
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Top of the Docs #48 – Dawson City: Frozen Time (2016)
With Dawson City: Frozen Time the, extremities at which film can survive is told through a documentary narrative like no other.
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Top of the Docs #47 – Roger and Me (1989)
Roger & Me is undoubtedly a film about how American cities, both big and small, are beholden to corporate power.
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Top of the Docs #46 – Manhatta (1921)
Manhatta is considered by some to be the first American avant-garde film, and as such, captures much more than just the city of New York.
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Top of the Docs #45 – Los Angeles Plays Itself
From stairwells to suburbs and beyond, Los Angeles quite literally is cinema, and Thom Andersen’s Los Angeles Plays Itself sets out to prove it.
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Top of the Docs #44 – The Image You Missed (2018)
The Image You Missed sees its director grapple with the legacy of his father and the hole he left in his life in order to create his iconic work.
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