Women in Horror: Jenni and Jacinda's Top 2019 Horror Releases

2019 saw a release of over 30 horror films ranging in all themes and popularity. Our favorite horror films of 2019 cover a lot of this ground. Octavia Spencer, Rebecca Ferguson, Park So Dam, and Florence Pugh are just a few names that dominated the horror genre last year. From indies like In Fabric to blockbusters like Us, our favorites span across an array of themes and storylines.

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REVIEW: ‘Ginger Snaps’ (2000) Says that Becoming a Woman is an Undue Curse

“Is becoming a woman analogous, in some deep psychological way, to becoming a werewolf,” the synopsis for Ginger Snaps (2000) asks. Written by Karen Walton and directed by John Fawcett, Ginger Snaps delves deep into this unconventional comparison and creates a relatable anecdote that makes it a beloved horror film. Sisters, Brigitte (Emily Perkins) and Ginger (Katharine Isabelle) Fitzgerald, are proud social outcasts at their high school.

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REVIEW: ‘The Lodge’ (2020) Shows a Terrifyingly Realistic Descent into Madness

The Lodge is a psychological horror that manages to surprise and scare even horror aficionados.

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Black Women in Horror: Breaking Down Stereotypes for an Empowering, Diverse Future

With the increasing space women occupy in horror, how much of that is going to black women and their talent?

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REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More

Horse Girl had a lot of potential, but ended up feeling like a strong concept and creative visuals strung together without deeper meaning. The ambiguous ending leaves behind a craving for something more.

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Eve’s Bayou (1997) is a Timeless Southern Gothic That Gives a Platform for Black Women

Southern Gothic is a sub-genre of fiction that takes place in the American South and that focuses on “grotesque themes”, “damaged, and delusional characters,” with hints of darkness and the supernatural. It also acts as the over-arching theme of Eve’s Bayou (1997), which looks into the façade of an African-American family, living deep in the…

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REVIEW: ‘Gretel & Hansel’ (2020) is a story about female power and witchcraft

In a sea of reboots, sequels, and reiterations, Gretel & Hansel (2020) is a refreshingly dark film that feels new and exciting despite the centuries-old story.

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Lin Shaye, ‘The Godmother of Horror’

Shaye has come a long way from being a nameless teacher in one of her first horror roles.

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Raw (2016) is a Radical Coming of Age Horror Film That Gives Women Power Over Their Desires

Julia Ducournau’s French cannibalistic coming of age film Raw depicts feminine pleasure and power through body horror. The film played at festivals and in France, with a limited US release. Viewers had visceral reactions to the screenings, with some even walking out or passing out due to the graphic cannibalism. Even so, Ducournau’s film can be incredibly relatable and empowering for young women.

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REVIEW: ‘American Psycho (2000)’ is More Than Just An American Horror Story

2020 marks the 20th anniversary of Mary Harron’s American Psycho. Since its $34 million theatrical release, the film has gained a serious social media cult following full of Patrick Bateman profile pictures and shared images. However, this film has more to offer than really good memes. In American Psycho, writers Harron and Guinevere Turner take a story about a corporate sadist and turn it into a horrifying and comedically gory deconstruction of toxic masculinity.

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