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ARCHIVE

  • Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot
    14th Sep 2019

    Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot

    roannasylver
  • The Fall of Man and How That’s Kinda OK: The Eco-Apocalypse in Film
    13th Sep 2019

    The Fall of Man and How That’s Kinda OK: The Eco-Apocalypse in Film

    Joel Whitaker
  • ‘Interstellar’, ‘Arrival’ and Sci-Fi: When Fiction Meets Reality
    13th Sep 2019

    ‘Interstellar’, ‘Arrival’ and Sci-Fi: When Fiction Meets Reality

    rebeccamccafferty12
  • The Florida Project: The Innocent Protagonist
    9th Sep 2019

    The Florida Project: The Innocent Protagonist

    jamespalmerfilm
  • The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist
    7th Sep 2019

    The Male Gaze and Us Poor Gays: Navigating Female Sexualisation in Film as a Queer Feminist

    Michaela Barton
  • Her Smell (2019) and “The Power of Going Backwards”
    7th Sep 2019

    Her Smell (2019) and “The Power of Going Backwards”

    rebeccamccafferty12
  • The Sweet, Complicated Process of Recovery in ‘Brigsby Bear’
    4th Sep 2019

    The Sweet, Complicated Process of Recovery in ‘Brigsby Bear’

    Paige Kiser
  • How Anna and Elsa Represent Summer in ‘Frozen’ (2013)
    1st Sep 2019

    How Anna and Elsa Represent Summer in ‘Frozen’ (2013)

    Shaun Alexander
  • ‘Thirteen’ and its’ Relevancy 16 Years Later
    28th Aug 2019

    ‘Thirteen’ and its’ Relevancy 16 Years Later

    Jacinda Perez
  • No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’
    28th Aug 2019

    No More Mister Nice Guy: Why We Should Stop Rooting For Sitcom’s ‘Nice Guys’

    Georgia Davis
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