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ARCHIVE

  • [Between the Lines] What Makes the ‘Pride’ (2014) Screenplay a Crowd-Pleasing Hit
    25th Jun 2021

    [Between the Lines] What Makes the ‘Pride’ (2014) Screenplay a Crowd-Pleasing Hit

    Gavin Spoors
  • How Representation Helped Rescue My Mental Health
    19th Jun 2021

    How Representation Helped Rescue My Mental Health

    Ceridwen Millington
  • Black Boyhood Under Threat in ‘Attack the Block’ (2011)
    15th Jun 2021

    Black Boyhood Under Threat in ‘Attack the Block’ (2011)

    elalicering
  • [Between the Lines] The ‘Bridesmaids’ (2011) Screenplay Holds Up 10 Years Later
    4th Jun 2021

    [Between the Lines] The ‘Bridesmaids’ (2011) Screenplay Holds Up 10 Years Later

    Gavin Spoors
  • The Faux Feminism of ‘Stranger Things’
    30th May 2021

    The Faux Feminism of ‘Stranger Things’

    Nuha Hassan
  • REVIEW: ‘Castlevania’s’ (2021) Final Season Is a Fitting End to the Best Video Game Adaptation
    22nd May 2021

    REVIEW: ‘Castlevania’s’ (2021) Final Season Is a Fitting End to the Best Video Game Adaptation

    Gavin Spoors
  • REVIEW: Chino Moya’s ‘Undergods’ (2021) is a Humorously Bleak Sci-fi Warning of a Future Already Here
    14th May 2021

    REVIEW: Chino Moya’s ‘Undergods’ (2021) is a Humorously Bleak Sci-fi Warning of a Future Already Here

    Kevin Woodley
  • ‘Melancholia’ (2011) and How I Learned to Stop Worrying and Love the Planet
    4th May 2021

    ‘Melancholia’ (2011) and How I Learned to Stop Worrying and Love the Planet

    Jennifer Maxwell
  • Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance
    2nd May 2021

    Five Years Later: Sophia Takal’s ‘Always Shine’ (2016) and the Horror of Being Trapped in Performance

    Rebecca Rosén
  • The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?
    25th Apr 2021

    The Ethics of Filming Poverty: Who Has a Right to Tell ‘Nomadland’ (2020)?

    RaeAnn Quick
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