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ARCHIVE

  • INTERVIEW: Lázaro Ramos and Taís Araújo Discuss Collaboration and Inspiration for ‘Executive Order’ (2021)
    25th Mar 2021

    INTERVIEW: Lázaro Ramos and Taís Araújo Discuss Collaboration and Inspiration for ‘Executive Order’ (2021)

    Shania Russell
  • BFI FLARE REVIEW: ‘Tove’ (2021) Lesbian Artists and Gay Moomins
    25th Mar 2021

    BFI FLARE REVIEW: ‘Tove’ (2021) Lesbian Artists and Gay Moomins

    Emily Maskell
  • BFI FLARE REVIEW: ‘Boy Meets Boy’ (2021) is an Intimate Snapshot of a Queer Romance
    24th Mar 2021

    BFI FLARE REVIEW: ‘Boy Meets Boy’ (2021) is an Intimate Snapshot of a Queer Romance

    Gavin Spoors
  • BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation
    22nd Mar 2021

    BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation

    Emily Maskell
  • How Łukasz Żal Created Loneliness and Alienation in ‘Cold War’ (2018)
    19th Mar 2021

    How Łukasz Żal Created Loneliness and Alienation in ‘Cold War’ (2018)

    Nuha Hassan
  • Did ‘Hannibal’ (2001) Cannibalise Itself?
    17th Mar 2021

    Did ‘Hannibal’ (2001) Cannibalise Itself?

    Ceridwen Millington
  • Lyra’s World: Adapting His Dark Materials
    16th Mar 2021

    Lyra’s World: Adapting His Dark Materials

    jomreid
  • [Nostalgia Week] ‘Josie and the Pussycats'(2001) is a Feminist Text
    12th Mar 2021

    [Nostalgia Week] ‘Josie and the Pussycats'(2001) is a Feminist Text

    Jenni Holtz
  • [Nostalgia Week] The Everlasting Love and Pain of ‘The Crow’ (1994)
    9th Mar 2021

    [Nostalgia Week] The Everlasting Love and Pain of ‘The Crow’ (1994)

    Kevin Woodley
  • IWD 2021: 100 Films Directed By Women That You Should Watch
    8th Mar 2021

    IWD 2021: 100 Films Directed By Women That You Should Watch

    Georgia Davis
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