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ARCHIVE

  • [Nostalgia Week] The Hidden Subtext of Nickelodeon
    8th Mar 2021

    [Nostalgia Week] The Hidden Subtext of Nickelodeon

    jamespalmerfilm
  • GFF REVIEW: ‘Out of the World’ (2021) is Disappointingly One-Dimensional
    7th Mar 2021

    GFF REVIEW: ‘Out of the World’ (2021) is Disappointingly One-Dimensional

    Sophie Butcher
  • REVIEW: ‘Come True’ (2021) Will Certainly Polarise Viewers
    7th Mar 2021

    REVIEW: ‘Come True’ (2021) Will Certainly Polarise Viewers

    Gavin Spoors
  • ‘September’ (2007), ‘Muriel’s Wedding’ (1994) and the Power of Friendship in Australian Cinema
    6th Mar 2021

    ‘September’ (2007), ‘Muriel’s Wedding’ (1994) and the Power of Friendship in Australian Cinema

    Amy Tonta
  • GFF REVIEW: ‘Surge’ (2021) is an Uncomfortable But Liberating Experience
    6th Mar 2021

    GFF REVIEW: ‘Surge’ (2021) is an Uncomfortable But Liberating Experience

    Sophie Butcher
  • GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic
    4th Mar 2021

    GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic

    Sophie Butcher
  • REVIEW: ‘One Night in Miami’ (2020) is a Triumph of Black Humanity
    28th Feb 2021

    REVIEW: ‘One Night in Miami’ (2020) is a Triumph of Black Humanity

    Bailey Herdé
  • The Inspired Madness of ‘Greener Grass’ (2019)
    27th Feb 2021

    The Inspired Madness of ‘Greener Grass’ (2019)

    maxpfeldman
  • [Between the Lines] Seeing and Hearing Through the Protagonist in the ‘Sound of Metal’ (2019) Screenplay
    26th Feb 2021

    [Between the Lines] Seeing and Hearing Through the Protagonist in the ‘Sound of Metal’ (2019) Screenplay

    Gavin Spoors
  • GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama
    26th Feb 2021

    GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama

    Sophie Butcher
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