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ARCHIVE

  • LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama
    22nd Oct 2020

    LFF REVIEW: ‘Industry’ (2020) is an Entertaining but Flawed Financial Drama

    Gavin Spoors
  • LFF REVIEW: ‘Another Round’ (2020) Fails to Say Anything New or Meaningful
    21st Oct 2020

    LFF REVIEW: ‘Another Round’ (2020) Fails to Say Anything New or Meaningful

    Gavin Spoors
  • NIGHTSTREAM REVIEW: ‘Lapsis’ (2020) is a Grounded Sci-Fi Dystopia
    21st Oct 2020

    NIGHTSTREAM REVIEW: ‘Lapsis’ (2020) is a Grounded Sci-Fi Dystopia

    Beca
  • LFF REVIEW: ‘Possessor’ (2020) is an Engrossing, Nihilistic Dreamscape
    20th Oct 2020

    LFF REVIEW: ‘Possessor’ (2020) is an Engrossing, Nihilistic Dreamscape

    Gavin Spoors
  • Why You Can’t Separate Camp and Horror
    20th Oct 2020

    Why You Can’t Separate Camp and Horror

    Michaela Barton
  • Now That’s What I Call Kino #12 – Silent Era Classic: The Phantom Carriage
    20th Oct 2020

    Now That’s What I Call Kino #12 – Silent Era Classic: The Phantom Carriage

    jamespalmerfilm
  • LFF REVIEW: ‘Supernova’ (2020) Shines Bright with Glowing Performances
    19th Oct 2020

    LFF REVIEW: ‘Supernova’ (2020) Shines Bright with Glowing Performances

    Emily Maskell
  • LFF REVIEW: ‘Wolfwalkers’ (2020) is a Stunning, Delightful Animation
    18th Oct 2020

    LFF REVIEW: ‘Wolfwalkers’ (2020) is a Stunning, Delightful Animation

    Gavin Spoors
  • LFF REVIEW- ‘The Reason I Jump’ (2020) is an Essential Documentary on Understanding Autism
    16th Oct 2020

    LFF REVIEW- ‘The Reason I Jump’ (2020) is an Essential Documentary on Understanding Autism

    Gavin Spoors
  • LFF REVIEW: ‘Never Gonna Snow Again’ Is As Ambiguous As It Comes
    14th Oct 2020

    LFF REVIEW: ‘Never Gonna Snow Again’ Is As Ambiguous As It Comes

    jamespalmerfilm
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