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ARCHIVE

  • Criminal Record #6 – Denzel Washington and the Value of Charisma
    30th Jun 2020

    Criminal Record #6 – Denzel Washington and the Value of Charisma

    fedortot
  • PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)
    30th Jun 2020

    PRIDE 2020: “It makes me feel free, or some shit” – Coming Out of Hiding as Portrayed in ‘Slap’ (2014) and ‘Miller & Son’ (2019)

    Rebecca Rosén
  • REVIEW: ‘Clemency’ (2019) is a Quiet, Devastating Study on the People Involved with Death Row
    29th Jun 2020

    REVIEW: ‘Clemency’ (2019) is a Quiet, Devastating Study on the People Involved with Death Row

    Gavin Spoors
  • How the ‘Moonlight’ (2016) Screenplay Uses Silence to Speak the Loudest
    26th Jun 2020

    How the ‘Moonlight’ (2016) Screenplay Uses Silence to Speak the Loudest

    Gavin Spoors
  • The Best Queer Women in Horror Films
    24th Jun 2020

    The Best Queer Women in Horror Films

    Jenni Holtz
  • The Unflappable Genius of ‘Chicken Run (2000)’, 20 Years On
    22nd Jun 2020

    The Unflappable Genius of ‘Chicken Run (2000)’, 20 Years On

    Michaela Barton
  • REVIEW: ‘Tommaso’ (2020) is a Vulnerable Portrait of Guilt and Humanity
    22nd Jun 2020

    REVIEW: ‘Tommaso’ (2020) is a Vulnerable Portrait of Guilt and Humanity

    Paige Kiser
  • Ten Black and Totally Badass Villains and Heroines in Horror
    17th Jun 2020

    Ten Black and Totally Badass Villains and Heroines in Horror

    Jacinda Perez
  • Criminal Record #5 – Gay Desire and the Psychosexual Thriller
    16th Jun 2020

    Criminal Record #5 – Gay Desire and the Psychosexual Thriller

    fedortot
  • Our LGBTQ+ Awakenings
    16th Jun 2020

    Our LGBTQ+ Awakenings

    Michaela Barton
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