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ARCHIVE

  • A Call to Re-Evaluate Disability Tropes in Science Fiction
    29th Mar 2020

    A Call to Re-Evaluate Disability Tropes in Science Fiction

    Flip Screen
  • INTERVIEW: Brett James Talks Nashville, Songwriting, and the Release of ‘It All Begins With A Song’
    29th Mar 2020

    INTERVIEW: Brett James Talks Nashville, Songwriting, and the Release of ‘It All Begins With A Song’

    oakleymoranfilm
  • REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
    28th Mar 2020

    REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance

    Sophie Butcher
  • BFI FLARE REVIEW: ‘Pride & Protest’ (2020) Proudly Voicing Activism
    28th Mar 2020

    BFI FLARE REVIEW: ‘Pride & Protest’ (2020) Proudly Voicing Activism

    Emily Maskell
  • ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On
    27th Mar 2020

    ‘How to Train Your Dragon’ is More Relatable Than Ever 10 Years On

    Gavin Spoors
  • Review: ‘The Wolf Hour’ (2020) Naomi Watts Melts Away in Half-Baked Thriller
    26th Mar 2020

    Review: ‘The Wolf Hour’ (2020) Naomi Watts Melts Away in Half-Baked Thriller

    Kevin Woodley
  • Women in Horror: Jenni and Jacinda's Top 2019 Horror Releases
    25th Mar 2020

    Women in Horror: Jenni and Jacinda's Top 2019 Horror Releases

    Jacinda Perez
  • 'Bringing up Baby' (1938) is a Revolutionary Queer Protest
    24th Mar 2020

    'Bringing up Baby' (1938) is a Revolutionary Queer Protest

    Michaela Barton
  • Ennui on the Screen and The LGBTQ+ Shadow
    24th Mar 2020

    Ennui on the Screen and The LGBTQ+ Shadow

    Ceridwen Millington
  • REVIEW: After Parkland: Making a Highly Politicized Tragedy Personal
    22nd Mar 2020

    REVIEW: After Parkland: Making a Highly Politicized Tragedy Personal

    RaeAnn Quick
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