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ARCHIVE

  • REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic
    24th Feb 2020

    REVIEW: ‘Emma’ (2020) is a Vivid and Vivacious Twist on an Old Classic

    Michaela Barton
  • Five Plus Size Heroines From The Last Decade
    21st Feb 2020

    Five Plus Size Heroines From The Last Decade

    Sophie Butcher
  • REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More
    19th Feb 2020

    REVIEW: ‘Horse Girl’ (2020) Leaves Behind a Craving for More

    Jenni Holtz
  • Review: ‘Locke and Key’ (2020) is a Tame Adaptation and Missed Opportunity
    16th Feb 2020

    Review: ‘Locke and Key’ (2020) is a Tame Adaptation and Missed Opportunity

    Kevin Woodley
  • REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness
    15th Feb 2020

    REVIEW: ‘The Staggering Girl’ (2020) Flaunts A Stunning Fashion-Consciousness

    Emily Maskell
  • REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script
    11th Feb 2020

    REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script

    Sophie Butcher
  • REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential
    10th Feb 2020

    REVIEW: ‘Softness of Bodies’ Falls Short of Its Potential

    oakleymoranfilm
  • Marta is the Key to Why ‘Knives Out’ (2020) is so Brilliant
    9th Feb 2020

    Marta is the Key to Why ‘Knives Out’ (2020) is so Brilliant

    Gavin Spoors
  • REVIEW: ‘Gretel & Hansel’ (2020) is a story about female power and witchcraft
    5th Feb 2020

    REVIEW: ‘Gretel & Hansel’ (2020) is a story about female power and witchcraft

    Jenni Holtz
  • Between the Lines: The Screenplay Oscar Nominees
    24th Jan 2020

    Between the Lines: The Screenplay Oscar Nominees

    Gavin Spoors
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