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ARCHIVE

  • LFF 2022 REVIEW: A Baumbachian Descent into Calamity Culture and Disaster for ‘White Noise’
    3rd Nov 2022

    LFF 2022 REVIEW: A Baumbachian Descent into Calamity Culture and Disaster for ‘White Noise’

    Tilly Long
  • REVIEW: ‘Meet Me in the Bathroom’ is a Hit of Nostalgia for Noughties Indie Kids
    3rd Nov 2022

    REVIEW: ‘Meet Me in the Bathroom’ is a Hit of Nostalgia for Noughties Indie Kids

    Joel Whitaker
  • In ‘Coming Home in the Dark’ (2021), Revenge Is Nothing More Than a Continuation of Violence
    2nd Nov 2022

    In ‘Coming Home in the Dark’ (2021), Revenge Is Nothing More Than a Continuation of Violence

    Rebecca Rosén
  • ‘Less Than Zero’ at 35: The Great Debate of Unfaithful Adaptations
    1st Nov 2022

    ‘Less Than Zero’ at 35: The Great Debate of Unfaithful Adaptations

    jennocal
  • From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror
    31st Oct 2022

    From ‘Bly Manor’ to ‘Bodies Bodies Bodies’: The Comfort of Quietly Queer Horror

    Hayley Paskevich
  • ‘Revenge of the Cheerleaders’ (1976): Rewinding Back to a Simpler Time
    30th Oct 2022

    ‘Revenge of the Cheerleaders’ (1976): Rewinding Back to a Simpler Time

    stevenkahn2022
  • Final Girls and Talking Killers: Feminist Transgressions in ‘The Slumber Party Massacre’ (1982)
    29th Oct 2022

    Final Girls and Talking Killers: Feminist Transgressions in ‘The Slumber Party Massacre’ (1982)

    Madelin Heidl
  • How ‘A Nightmare on Elm Street 3: Dream Warriors’ (1987) Defied the Sequel Curse
    28th Oct 2022

    How ‘A Nightmare on Elm Street 3: Dream Warriors’ (1987) Defied the Sequel Curse

    Jennifer Maxwell
  • Autumnal Poetry in Motion and Its Subsequent Feelings as Seen in Film
    26th Oct 2022

    Autumnal Poetry in Motion and Its Subsequent Feelings as Seen in Film

    Rebecca Rosén
  • 31 Short Horror Films Available Online Right Now
    24th Oct 2022

    31 Short Horror Films Available Online Right Now

    Rebecca Rosén
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