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ARCHIVE

  • REVIEW: ‘Recovery’ (2021) Might Just Be the Medicine the World Needs
    26th May 2021

    REVIEW: ‘Recovery’ (2021) Might Just Be the Medicine the World Needs

    Benjamin Akpan
  • What ‘WandaVision’ Could Mean For the Future of Prestige TV
    30th Apr 2021

    What ‘WandaVision’ Could Mean For the Future of Prestige TV

    Ceridwen Millington
  • BFI FLARE INTERVIEW: Shana Myara on Finding Fat Liberation With ‘Well Rounded’ (2020)
    16th Apr 2021

    BFI FLARE INTERVIEW: Shana Myara on Finding Fat Liberation With ‘Well Rounded’ (2020)

    Sophie Butcher
  • BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers
    4th Apr 2021

    BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers

    Luís Correia
  • BFI FLARE REVIEW: ‘The Dose’ (2021) Administers Great Direction But Poor Writing
    3rd Apr 2021

    BFI FLARE REVIEW: ‘The Dose’ (2021) Administers Great Direction But Poor Writing

    Gavin Spoors
  • INTERVIEW: Peter Murimi Talks Masculinity, Mental Health & ‘I Am Samuel’ (2020)
    29th Mar 2021

    INTERVIEW: Peter Murimi Talks Masculinity, Mental Health & ‘I Am Samuel’ (2020)

    Sophie Butcher
  • BFI FLARE REVIEW: ‘Cowboys’ (2021) is an Epic Journey That Tells an Untold Story
    27th Mar 2021

    BFI FLARE REVIEW: ‘Cowboys’ (2021) is an Epic Journey That Tells an Untold Story

    Gavin Spoors
  • INTERVIEW: Thomas Wilson-White Discusses Grief and Queer Genre Films with ‘The Greenhouse’ (2021)
    26th Mar 2021

    INTERVIEW: Thomas Wilson-White Discusses Grief and Queer Genre Films with ‘The Greenhouse’ (2021)

    Gavin Spoors
  • BFI FLARE REVIEW: ‘Dramarama’ (2021) Hides Behind Melodramatics
    26th Mar 2021

    BFI FLARE REVIEW: ‘Dramarama’ (2021) Hides Behind Melodramatics

    Georgia Davis
  • INTERVIEW: Lázaro Ramos and Taís Araújo Discuss Collaboration and Inspiration for ‘Executive Order’ (2021)
    25th Mar 2021

    INTERVIEW: Lázaro Ramos and Taís Araújo Discuss Collaboration and Inspiration for ‘Executive Order’ (2021)

    Shania Russell
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