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ARCHIVE

  • REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality
    14th Sep 2021

    REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality

    McKinzie Smith
  • 2021 Women X Film Festival: Wrap-Up
    13th Sep 2021

    2021 Women X Film Festival: Wrap-Up

    Hayley Paskevich
  • REVIEW: Queerness is Contemplative when ‘Boy Meets Boy’ (2021)
    8th Sep 2021

    REVIEW: Queerness is Contemplative when ‘Boy Meets Boy’ (2021)

    McKinzie Smith
  • What Happened To Hope?: The Emotional Emptiness of Modern Cinema
    7th Sep 2021

    What Happened To Hope?: The Emotional Emptiness of Modern Cinema

    Ceridwen Millington
  • Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)
    3rd Sep 2021

    Biting the Apple: Female Autonomy, Desire and Danger in ‘Margaret’ (2005) and ‘YES’ (2004)

    lrostant
  • Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work
    31st Aug 2021

    Tolerate the Uncertainty: Intimacy, Human Connections and Everyday Messiness as Found in Joe Swanberg’s Work

    Rebecca Rosén
  • REVIEW: Time is Treacherous in ‘The Father’ (2021)
    30th Aug 2021

    REVIEW: Time is Treacherous in ‘The Father’ (2021)

    carolinehvd
  • The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)
    27th Aug 2021

    The Unrelenting Optimism of Taika Waititi’s ‘Boy’ (2010)

    Katie Coxall
  • FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery
    26th Aug 2021

    FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery

    Hayley Paskevich
  • ‘Children of Men’ (2006) and the Birth of Hope
    25th Aug 2021

    ‘Children of Men’ (2006) and the Birth of Hope

    Emily Gett
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