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ARCHIVE

  • REVIEW: ‘Handling the Undead’ (2024) Is a Refreshing Take on the Zombie Film as an Exploration of Loss and Sorrow
    20th Mar 2024

    REVIEW: ‘Handling the Undead’ (2024) Is a Refreshing Take on the Zombie Film as an Exploration of Loss and Sorrow

    Rebecca Rosén
  • To What End Does ‘Avengement’ (2019) Write Itself Out of a Corner?
    17th Feb 2024

    To What End Does ‘Avengement’ (2019) Write Itself Out of a Corner?

    Karino C. Emmanuel
  • ‘Tombstone’ (1993) Turns 30: Why We Still Love It Today
    16th Feb 2024

    ‘Tombstone’ (1993) Turns 30: Why We Still Love It Today

    Robert Barger
  • Leaving Hollywood: Critiquing the American Dream in ‘Night on Earth’ (1991)
    17th Dec 2023

    Leaving Hollywood: Critiquing the American Dream in ‘Night on Earth’ (1991)

    Callum McGrath
  • REVIEW: ‘It’s a Wonderful Knife’ (2023) Takes a Stab at Reinventing the Holiday Horror
    30th Nov 2023

    REVIEW: ‘It’s a Wonderful Knife’ (2023) Takes a Stab at Reinventing the Holiday Horror

    Hayley Paskevich
  • INTERVIEW: ‘Smoke Sauna Sisterhood’ (2023) – Anna Hints Opens Up About Finding the Power of Silenced Voices in Her Own Silence
    26th Nov 2023

    INTERVIEW: ‘Smoke Sauna Sisterhood’ (2023) – Anna Hints Opens Up About Finding the Power of Silenced Voices in Her Own Silence

    Hayley Paskevich
  • LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 
    16th Nov 2023

    LFF 2023 Review: ‘Eileen’ is a Thrilling Yet Underdeveloped Adventure That Leaves You Wanting More 

    Natalie Quinn
  • REVIEW: Emma Seligman’s Queer Romp ‘Bottoms’ (2023) is This Year’s Horniest, Raunchiest Teen Comedy
    14th Nov 2023

    REVIEW: Emma Seligman’s Queer Romp ‘Bottoms’ (2023) is This Year’s Horniest, Raunchiest Teen Comedy

    Alysha Lindvik
  • ‘Skinamarink’ (2022) as Ergodic Filmmaking
    4th Nov 2023

    ‘Skinamarink’ (2022) as Ergodic Filmmaking

    Red Broadwell
  • ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland
    2nd Nov 2023

    ‘Priscilla’ (2023) Paints a Delicate Portrait of Girlhood in Graceland

    Jennifer Maxwell
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