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ARCHIVE

  • ​​BHFF REVIEW: ‘The Sadness’ (2021) Is Tear-Jerkingly Depraved
    3rd Nov 2021

    ​​BHFF REVIEW: ‘The Sadness’ (2021) Is Tear-Jerkingly Depraved

    Tyler Simeone
  • BHFF Review: As ‘Lux Æterna’ (2019) Proves, Bonfires Are So Sexy
    31st Oct 2021

    BHFF Review: As ‘Lux Æterna’ (2019) Proves, Bonfires Are So Sexy

    Tyler Simeone
  • BHFF Review: In ‘Good Madam’ (2021), Fear Lives In the Fingertips
    30th Oct 2021

    BHFF Review: In ‘Good Madam’ (2021), Fear Lives In the Fingertips

    Tyler Simeone
  • LFF REVIEW: ‘The Souvenir: Part II’ (2021) an Exquisite End to Hogg’s Memoir
    28th Oct 2021

    LFF REVIEW: ‘The Souvenir: Part II’ (2021) an Exquisite End to Hogg’s Memoir

    Joel Whitaker
  • REVIEW: ‘Wildfire’ (2020) is a Sensational Debut
    27th Oct 2021

    REVIEW: ‘Wildfire’ (2020) is a Sensational Debut

    fionahughes07
  • LFF REVIEW: ‘Memoria’ (2021)– Apichatpong’s Transcendental Journey to Colombia
    25th Oct 2021

    LFF REVIEW: ‘Memoria’ (2021)– Apichatpong’s Transcendental Journey to Colombia

    Joel Whitaker
  • VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience
    23rd Oct 2021

    VIFF 2021 REVIEW: How ‘The Scary of Sixty-First’ (2021) Red Pills its Audience

    Jennifer Maxwell
  • VIFF 2021 REVIEW: ‘Red Rocket’ (2021) Reinvents The Hero’s Journey
    22nd Oct 2021

    VIFF 2021 REVIEW: ‘Red Rocket’ (2021) Reinvents The Hero’s Journey

    Jennifer Maxwell
  • REVIEW: ‘Luzzu’ (2021) is Tragic, but Doesn’t Understand Why
    21st Oct 2021

    REVIEW: ‘Luzzu’ (2021) is Tragic, but Doesn’t Understand Why

    Tyler Simeone
  • LAAPFF 2021 REVIEW: ‘The Girl Who Left Home’ (2020) is a Heartwarming Musical Where Conflicts are Left Unresolved
    20th Oct 2021

    LAAPFF 2021 REVIEW: ‘The Girl Who Left Home’ (2020) is a Heartwarming Musical Where Conflicts are Left Unresolved

    Nuha Hassan
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