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ARCHIVE

  • LAAPFF 2021 REVIEW: ‘Blush’ (2021) Adds Layers of Emotional Grief and Brings Catharsis
    15th Oct 2021

    LAAPFF 2021 REVIEW: ‘Blush’ (2021) Adds Layers of Emotional Grief and Brings Catharsis

    Nuha Hassan
  • TIFF REVIEW: ‘Ali & Ava’ (2021) Blends Romance and Realism with Mixed Results
    7th Oct 2021

    TIFF REVIEW: ‘Ali & Ava’ (2021) Blends Romance and Realism with Mixed Results

    Joel Whitaker
  • REVIEW: ‘Freshman Year’ (2019) is a Romantic Ode to Messy, Lonely, Glorious College Years
    28th Sep 2021

    REVIEW: ‘Freshman Year’ (2019) is a Romantic Ode to Messy, Lonely, Glorious College Years

    Joshua Sorensen
  • REVIEW: ‘Surge’ (2021) Expresses the Tensions of a Repetitive Society
    26th Sep 2021

    REVIEW: ‘Surge’ (2021) Expresses the Tensions of a Repetitive Society

    Nuha Hassan
  • REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent
    15th Sep 2021

    REVIEW: ‘Werewolves Within’ (2021) Promises Innovation But Is Barely Competent

    Ceridwen Millington
  • REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality
    14th Sep 2021

    REVIEW: ‘The Influencer’ (2021) Questions Internet Celebrity Morality

    McKinzie Smith
  • 2021 Women X Film Festival: Wrap-Up
    13th Sep 2021

    2021 Women X Film Festival: Wrap-Up

    Hayley Paskevich
  • REVIEW: Queerness is Contemplative when ‘Boy Meets Boy’ (2021)
    8th Sep 2021

    REVIEW: Queerness is Contemplative when ‘Boy Meets Boy’ (2021)

    McKinzie Smith
  • REVIEW: Time is Treacherous in ‘The Father’ (2021)
    30th Aug 2021

    REVIEW: Time is Treacherous in ‘The Father’ (2021)

    carolinehvd
  • FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery
    26th Aug 2021

    FANTASIA 2021 REVIEW: ‘Martyrs Lane’ (2021) is a Chilling Childhood Mystery

    Hayley Paskevich
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