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ARCHIVE

  • Ennui on the Screen and the Purpose of Conscience
    20th Apr 2020

    Ennui on the Screen and the Purpose of Conscience

    Ceridwen Millington
  • GFF REVIEW: ‘Papicha’ Teaches Us About The Bravery Behind Loving
    25th Mar 2020

    GFF REVIEW: ‘Papicha’ Teaches Us About The Bravery Behind Loving

    rebeccamccafferty12
  • Top of the Docs #6 – ‘Swatted’ (2018) and the Realities of Sharing Online
    27th Feb 2020

    Top of the Docs #6 – ‘Swatted’ (2018) and the Realities of Sharing Online

    Joel Whitaker
  • Jodie Foster Films, Ranked.
    25th Feb 2020

    Jodie Foster Films, Ranked.

    Charlie Little
  • Resurrecting Cluzot’s ‘L’Enfer’ (1964) in 2020
    25th Feb 2020

    Resurrecting Cluzot’s ‘L’Enfer’ (1964) in 2020

    Ariel Kling
  • What’s on Scene #2 – March 2020
    24th Feb 2020

    What’s on Scene #2 – March 2020

    Joel Whitaker
  • Top of the Docs #5 – ‘Going Clear’ (2015): Scientology and the Prison of Belief and Journalistic Documentary
    20th Feb 2020

    Top of the Docs #5 – ‘Going Clear’ (2015): Scientology and the Prison of Belief and Journalistic Documentary

    Joel Whitaker
  • REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World
    17th Feb 2020

    REVIEW: ‘To All the Boys I Loved Before: P.S I Still Love You’ (2020) Shows How Rom-Coms Can Save The World

    RaeAnn Quick
  • Top of the Docs #4 – ‘Talking About Trees’ and Cinema as Community
    13th Feb 2020

    Top of the Docs #4 – ‘Talking About Trees’ and Cinema as Community

    Joel Whitaker
  • SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories
    8th Feb 2020

    SUNDANCE REVIEW: ‘Zola’ (2020) Proves the Power of Sex Workers Telling Their Own Stories

    Katarina Docalovich
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