‘Slaxx’ (2020) – You Need to See This Movie About Killer Pants…

What honestly makes this film whole is the writing, because it incorporates all the elements needed to tell a complete story.

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REVIEW: ‘The Banishing’ (2020) is a Sunday Morning Movie

The Banishing is a horror movie built on familiar ground, and despite good intentions never quite surpasses its origins

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REVIEW: ‘Sequin In A Blue Room’ (2021) A Visceral Queer Coming-Of-Age Drama

Samuel Van Grinsven’s Australian coming-of-age debut feature centres on an intense exploration of anonymity, sex, and social media.

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Top of the Docs #45 – Los Angeles Plays Itself

From stairwells to suburbs and beyond, Los Angeles quite literally is cinema, and Thom Andersen’s Los Angeles Plays Itself sets out to prove it.

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BFI FLARE REVIEW: ‘PS: Burn This Letter Please’ (2021) Rediscovers New York’s 50s Drag Pioneers

PS: Burn This Letter Please goes beyond the chronological scope of the letters, providing measured glimpses of New York’s queer history.

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1996 at the Movies: Five Forgotten Gems You Should Watch

In a year with such classic movies as Mission: Impossible, The Nutty Professor and Fargo, some films were inevitably bound to be overlooked and underappreciated.

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BFI FLARE REVIEW: ‘The Dose’ (2021) Administers Great Direction But Poor Writing

The opening does a grand job of hooking the audience in but unfortunately the rest of the film isn’t nearly as strong or coherent.

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The Progression of Werewolf Stereotypes in the Media

These tropes have been around since the dawn of film and TV, and before that in books, stories, plays and other media.

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INTERVIEW: Peter Murimi Talks Masculinity, Mental Health & ‘I Am Samuel’ (2020)

We spoke to director Peter Murimi about his documentary ‘I Am Samuel’, showing at this year’s BFI Flare Festival.

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