John Ford had John Wayne, Sergio Leone had Clint Eastwood and Sergio Corbucci had Franco Nero. Often seen as the face of Spaghetti Westerns, Nero’s rise to cult fame had a director correlation with the works of Corbucci. Making several Westerns during his illustrious career, his most acclaimed work came during the late 60s, like…
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While it definitely has its issues, Cryptozoo’s creativity really shines, giving it an undeniable charm.
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After an impressive 2019 in Cannes, with Bacurau earning such deserving praise, and The Invisible Life of Euradice Gusmao picking up the Un Certain Regard, this year’s IFFR proves that it has one.
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While completely whisking you away in it’s magic, Howl’s Moving Castle also effortlessly displays the subliminal power of self-love.
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With The World to Come, Fastvold has given us a story of female desire that feels honest and tangible, crafting moments of bliss among historically accurate disappointments and tragedies.
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One of the hidden gems from this year’s Sundance, Anthony has quietly made one of the most vital documentaries of the year, one that shows nearly 50 years on that Harry Caul’s breakdown in trust was more than justified.
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It’s an atmospheric, visually striking period piece that thrives most in the quiet moments of unease, capable of crafting terror in your mind from anticipation and imagination alone.
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Not even Owen Wilson and Salma Hayek can rescue this dull sci-fi fantasy from glitching all over the place, and you’d expect a double act of this calibre to be a lot more fun than it is
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“Abiding by its own cinematic rules, Cinorre’s Mayday is a tonally adventurous genre-blending women-focused debut” In Karen Cinorre’s remarkable first feature, warnings of an approaching storm are the early signs that something strange is brewing. When Ana (Grace Van Patten) hides in the backroom of her workplace to cry, she is electrocuted and transported to…
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Wright’s sense of humour combined with the Mael brothers’ helps the film shine and really brings out the joy in their music.
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