Few sounds are as recognisable as the Looney Tunes theme tune – which is implanted into any kid who watched Saturday morning cartoons. With an array of quirky characters and limitless skits, the toon squad have become icons in the world of animation. Whilst they may often fall into the shadows thanks to their noisy…
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“Don’t Text Back is the embodiment of the phrase: You can do better than him.” Warn your friends about shitty dudes; that truly should be the motto for millennial dating culture. The heteronormative world is filled with horror stories from young women about bad Tinder dates and terrible relationships. From the classic, “oh my god…
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Fish Story, unlike its namesake, is unlikely to change the world any time soon.
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In his 2016 documentary Sennan Asbestos Disaster, Kazuo Hara tracks the eight-year long struggle of people seeking state compensation for asbestos related damage in Sennan, Osaka.
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What you’re hearing is the signature symphony of director Jesse V. Johnson and actor Scott Adkins, whose recent, rampant run of scuzzy collaborations has set the world of direct-to-video action ablaze.
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Since its initial release, Drag Me to Hell has received critical and commercial success. It showed the same scary, campy horror brilliance that Raimi demonstrated with The Evil Dead decades before. What also makes Raimi’s Drag Me to Hell so amazing is the subtext of shame. Whether he intended to or not, his film is saturated with associations of a woman’s shame. For this month’s Women in Horror, we want to take a deep dive into this subtext and dissect Raimi’s subtle nuances to convince you that this film is truly about a woman’s shame and how it is these insecurities that lay her literal path to hell.
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While Doppelbänger serves as proof of concept for a series called Autom Reign, as shown by the short film’s open ending, it easily manages to stand well on its own.
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Tenet is a ferocious film that moves forwards and backwards at an alarming rate
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With the popularity of independent horror peaking in recent years, it’s interesting to note what themes that seem to commonly occur in these movies. Filmmakers like Jordan Peele have done a lot to portray the black experience, more specifically what it means to be black in America. But as well as this, he has found…
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No one can fight like siblings and no one can forgive like siblings, and in this small sense, universalism may have a leg to stand on.
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