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ARCHIVE

  • REVIEW: Summerland (2020) is a  “A Queer Comedy with Humor and Heart”
    18th Sep 2020

    REVIEW: Summerland (2020) is a “A Queer Comedy with Humor and Heart”

    Jenni Holtz
  • Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)
    23rd Aug 2020

    Now That’s What I Call Kino #4 – The Absurdity of the Cold War Conflict in One, Two, Three (1961)

    jamespalmerfilm
  • Between the Lines: How Comedy Tells a Story Throughout the ‘Hot Fuzz’ (2007) Screenplay
    24th Jul 2020

    Between the Lines: How Comedy Tells a Story Throughout the ‘Hot Fuzz’ (2007) Screenplay

    Gavin Spoors
  • Review: ‘After Life’ Season Two is a Realistic and Heart-Wrenching Exploration of Loss and Grief
    3rd May 2020

    Review: ‘After Life’ Season Two is a Realistic and Heart-Wrenching Exploration of Loss and Grief

    Matt Livingstone
  • Flip Screen’s Guide to April (Quarantine Edition)
    6th Apr 2020

    Flip Screen’s Guide to April (Quarantine Edition)

    georgeforster1998
  • 'Bringing up Baby' (1938) is a Revolutionary Queer Protest
    24th Mar 2020

    'Bringing up Baby' (1938) is a Revolutionary Queer Protest

    Michaela Barton
  • Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot
    14th Sep 2019

    Here’s the Punchline: A Queer Fan’s Hopes for the Jay and Silent Bob Reboot

    roannasylver
  • REVIEW: ‘Booksmart’ (2019) is One of the Strongest Directorial Debuts in History
    20th May 2019

    REVIEW: ‘Booksmart’ (2019) is One of the Strongest Directorial Debuts in History

    Shaun Alexander
  • Making People Smile Again: The Rise of the “Nice Comedy”
    28th Feb 2019

    Making People Smile Again: The Rise of the “Nice Comedy”

    Nia Le
  • Crazy Rich Asians (2018): A Love Letter to the Unbelonging
    20th Feb 2019

    Crazy Rich Asians (2018): A Love Letter to the Unbelonging

    Bethany Datuin
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