‘Factory to the Workers’ explores the only example of a working factory co-operative in post-socialist Europe, examining its triumphs, its shortcomings, and what is holding it back.
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All articles filed in Documentary
Top of the Docs #52 – SHEFFIELD DOC/FEST REVIEW: Don McCullin: ‘Almost Liverpool 8’ (2021)
Daniel Draper and Allan Melia explore Liverpool 8 in their latest film, using Don McCullin’s photographs as a rough guide.
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Top of the Docs #47 – Roger and Me (1989)
Roger & Me is undoubtedly a film about how American cities, both big and small, are beholden to corporate power.
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Top of the Docs #46 – Manhatta (1921)
Manhatta is considered by some to be the first American avant-garde film, and as such, captures much more than just the city of New York.
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BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation
In Rebel Dykes, directors Harri Shanahan and Siân Williams stitch together a patchwork of home video, cartoon animation and talking heads, in a reflection on London’s 1980s lesbian communities.
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Top of the Docs #42 – Can’t Get You Out of My Head (2021)
Renowned for his breadth of research and incisive analysis, Curtis’ documentaries usually focus on an aspect of history, exploring its cultural, social and political impacts.
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SUNDANCE REVIEW: ‘Cusp’ (2021) is a Raw, Unobstructed Look at Teenage Girlhood
From bonfires to soccer games, the film meanders with the whims of these girls as they come to navigate the invisible horrors of being a teenage girl.
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REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck
“A joy to watch… [a] documentary not so much concerned with hard historical facts as it is with the brothers as they experienced each other, themselves, and their fame.” How Can You Mend A Broken Heart begins with the quintessential. A pared down, echoey version of “Stayin’ Alive”—probably the Bee Gees song to end all…
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LFF REVIEW- ‘The Reason I Jump’ (2020) is an Essential Documentary on Understanding Autism
Director Jerry Rothwell utilises visuals and sound design with such creativity that it lets the audience directly empathise with the cast.
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LFF REVIEW: ‘Stray’ (2020) is as Soulful and Humane as Anything You’ll See This Year
The absence of deliberate human voice lends a real sense of time and place into a rare window of a world that is, perhaps not a pleasure to experience but is, by the time it finishes, profound and essential.
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