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ARCHIVE

  • REVIEW: ‘Dear Future Children’ (2021) is a Film that Captures a Generation
    5th Feb 2022

    REVIEW: ‘Dear Future Children’ (2021) is a Film that Captures a Generation

    fionahughes07
  • REVIEW: ‘I’m An Electric Lampshade’ (2021) Has A Weak Spark of Life
    15th Nov 2021

    REVIEW: ‘I’m An Electric Lampshade’ (2021) Has A Weak Spark of Life

    Ceridwen Millington
  • Top of the Docs #53 – SHEFFIELD DOC/FEST REVIEW: ‘Factory to the Workers’ (2021)
    15th Jul 2021

    Top of the Docs #53 – SHEFFIELD DOC/FEST REVIEW: ‘Factory to the Workers’ (2021)

    Joel Whitaker
  • Top of the Docs #52 – SHEFFIELD DOC/FEST REVIEW: Don McCullin: ‘Almost Liverpool 8’ (2021)
    24th Jun 2021

    Top of the Docs #52 – SHEFFIELD DOC/FEST REVIEW: Don McCullin: ‘Almost Liverpool 8’ (2021)

    Joel Whitaker
  • Top of the Docs #47 – Roger and Me (1989)
    22nd Apr 2021

    Top of the Docs #47 – Roger and Me (1989)

    Joel Whitaker
  • Top of the Docs #46 – Manhatta (1921)
    15th Apr 2021

    Top of the Docs #46 – Manhatta (1921)

    Joel Whitaker
  • BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation
    22nd Mar 2021

    BFI FLARE REVIEW: ‘Rebel Dykes’ (2021) A Wonderfully Focused Lesbian Self-Documentation

    Emily Maskell
  • Top of the Docs #42 – Can’t Get You Out of My Head (2021)
    4th Mar 2021

    Top of the Docs #42 – Can’t Get You Out of My Head (2021)

    Joel Whitaker
  • SUNDANCE REVIEW: ‘Cusp’ (2021) is a Raw, Unobstructed Look at Teenage Girlhood
    19th Feb 2021

    SUNDANCE REVIEW: ‘Cusp’ (2021) is a Raw, Unobstructed Look at Teenage Girlhood

    Thalia Castro
  • REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck
    19th Dec 2020

    REVIEW: ‘The Bee Gees: How Can You Mend A Broken Heart’ (2020) Proves Disco Doesn’t Suck

    Bailey Herdé
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